Portland, OR. The William Temple House “Style & Sustainability” live-streamed fashion show raised $89,000. Proceeds benefit the mental health counseling, food pantry, and emergency assistance services of William Temple House. The event was supposed to be a fundraising luncheon, but because of the COVID-19 crisis organizers shifted to an online experience that was streamed-live on May 21st. It was the second annual fundraiser celebrating sustainable fashion, thrift store style, and the work of William Temple House.
The event featured the live fashion show, guest speaker Kelly Raynor of Modify Style, and a special message from Executive Director Carrie Hoops.
Designers featured included: Patty Armstrong, Amy Daileda of Vivid Element, Sundari of Minnie Opal and Irene Veldstra.
Here’s a link to a recording of the online fashion show:
Organizers are still taking donations and hope to meet their $100,000 goal.
Send a check payable to William Temple House with “Luncheon” on the memo line to 2023 NW Hoyt Street, Portland, OR 97209
We provide affordable mental health counseling and support for basic needs to individuals and families in the Portland area. We also operate the William Temple House Thrift Store to support our programs and services.
Portland, OR. The Dougy Center 2020 “Reflection” virtual benefit was held on May 13th. The nonprofit raised $530,366, which exceeded its goal of $500,000. Rey Cumplido, who posed for a photo with his family, was the winner of the 23rd Annual Porsche Boxster Raffle and happily drove away with the big prize.
Administrators at the Dougy Center say because of the COVID-19 pandemic they’re working remotely with families. The Dougy Center provides support for children, teens, young adults, and their families grieving a death can share their experiences. Here’s a video about the organization:
Organizers say If you were not able to tune in and would like to make a gift, the event donation page can be found here at this link. It will remain open for a limited time.
Auctioneer Johnna Lee Wells and Dougy Center Executive Director, Brennan Wood connect with supporters online.
The Dougy Center provides support in a safe place where children, teens, young adults, and their families grieving a death can share their experiences. The program was launched in 1982.
Event chairs were Ashleigh and Mike Gunter. The event was presented by KinderCare Educaton and the raffle was sponsored by Porsche Beaverton.
From The Dougy Center:
The mission of The Dougy Center is to provide support for children, teens, young adults and their families grieving a death, through peer support groups, training and education. Through our National Center for Grieving Children & Families, we provide support and training locally, nationally and internationally to individuals and organizations seeking to assist grieving children. More info at: https://www.dougy.org/
Portland, OR. Portland Center Stage has joined the national theater project Play at Home and commissioned four Portland playwrights to create short plays. Play at Home scripts are designed to be read — and performed — by the public from their own homes. The plays are ten minutes or shorter and available for free at playathome.org. The new plays commissioned by Portland Center Stage will be posted soon and also shared at pcs.org.
The new script offerings are Sara Jean Accuardi’s Joy Frickin’ Hates Her Dumb Stupid Room, E. M. Lewis’ The Third Prisoner, Anya Pearson’s Three Love Songs, and Josie Seid’s Wing and a Prayer.
Sara Jean Accuardi, E. M. Lewis, Anya Pearson, and Josie Seid
“It’s a joy to lift up the voices of fantastic playwrights from across the country in conjunction with The Public Theatre and its collaborators,” said Artistic Director Marissa Wolf. “I’m thrilled to have these four gifted Portland writers bring powerful, lively, humor-filled short plays to life. We hope our community will join us by performing the plays at home and letting us know about it!”
People are encouraged to record their performances and share them with others. Those who upload their videos to YouTube and tag #PlayatHomePlays may even have their performances featured on the Play at Home website and shared by participating theaters.
ABOUT THE PLAYS
SARA JEAN ACCUARDI Joy Frickin’ Hates Her Dumb Stupid Room
A Trapped Little Play for Trapped Little Times
A girl is trapped inside a house, a hamster is trapped inside a cage, and the soul of a 15th-century Dutch painter is trapped inside a hamster.
Sara Jean Accuardi’s writing has been produced and developed around the country, including with Theatre Vertigo, Seven Devils Playwrights Conference, and Victory Gardens. Her plays include The Storyteller (winner of the International Thomas Wolfe Playwriting Competition) and The Delays (Drammy Award for Outstanding Original Script). She is a proud member of LineStorm Playwrights. sarajeanaccuardi.com
M. LEWIS The Third Prisoner
Prisoner #4588930 and Prisoner #8836729 have been locked away for a very long time. For what feels like forever. But when someone new is thrown into their cell, everything changes.
M. Lewis is an award-winning playwright and opera librettist. She received the Steinberg Award twice, the Primus Prize from the American Theater Critics Association, the Ted Schmitt Award from the Los Angeles Drama Critics Circle, a Hodder Fellowship from Princeton University, a fellowship from the New Jersey State Arts Commission, the 2016 Oregon Literary Fellowship in Drama, and an Edgerton Award. emlewisplaywright.com
ANYA PEARSON Three Love Songs For those of us who have been taught to fear the silence, I offer you: a counter-attack. An ode, a dirge, a lament, an operatic examination of quarantine life.
Anya Pearson is an award-winning actress, playwright, poet, producer, and activist. She was the inaugural winner of the $10,000 Voice is a Muscle Grant from the Corporeal Voices Foundation, for her choreopoem, Made to Dance in Burning Buildings. Made to Dance in Burning Buildings was showcased at Joe’s Pub at The Public Theater and received its world premiere at Shaking the Tree. anyapearson.com
JOSIE SEID Wing and a Prayer Four modern women are planning to attend a socially conscious, feminist lecture. One of the women accidentally summons a wand-toting fairy godmother who is all set to beautify them for a ball! When she discovers she has wandered into a contemporary catastrophe, they must work together to make sure that the wish that summoned her is honored.
Josie Seid is the author of Petite Dames, which was nominated for the Kilroy List in 2015 and was recently workshopped at Lewis and Clark’s Ray Warren Symposium on Race and Revolutionary Struggle. Other works include Path of Glory,The Great God of the Dark Storm Cloud, Jordan’s Wisdom,Overdue, Stand by Me, and This is Message Number 13. Josie is a proud member of LineStorm Playwrights collective.
PLAY AT HOME
Play at Home was developed to inspire joy and connection during this period of social isolation. More than 100 playwrights have been commissioned nationwide, resulting in $50,000 paid to playwrights during this difficult time when all theater productions have ceased. Play at Home was originally developed by The Public Theater, Baltimore Center Stage, Woolly Mammoth Theatre Company, Long Wharf Theatre, and Repertory Theater of St Louis, and the project continues to grow as new theater companies join the effort.
Many nationally celebrated playwrights have been commissioned, including some who have recently been featured at Portland Center Stage, including Heather Raffo, whose powerful play 9 Parts of Desire was on stage in March and had to be canceled, and Karen Zacarías, whose hilarious play Native Gardens was a hit last spring.
PORTLAND CENTER STAGE
Portland Center Stage is committed to identifying and interrupting instances of racism and all forms of oppression, through the principles of inclusion, diversity, equity, and accessibility (IDEA). Learn more at pcs.org/idea.
Portland Center Stage is the largest theater company in Portland and among the top 20 regional theaters in the country. Established in 1988 as a branch of the Oregon Shakespeare Festival, the company became independent in 1994, and is under the leadership of Artistic Director Marissa Wolf and Managing Director Cynthia Fuhrman. Around 160,000 visitors attend The Armory annually to enjoy a mix of classic, contemporary, and world premiere productions, along with a variety of high quality education and community programs. As part of its dedication to new play development, the company has produced 28 world premieres and presents an annual new works festival, JAW: A Playwrights Festival. Home to two theaters, The Armory (originally built in 1891) opened its doors in 2006 as the first building on the National Register of Historic Places, and the first performing arts venue in the country, to achieve a LEED Platinum rating.
Portland Center Stage is funded in part by Season Superstars Tim and Mary Boyle, Mary and Don Blair, and Lead Corporate Champion Umpqua Bank. Further support comes from Season Sponsors Advance Gender Equity in the Arts (AGE); the Regional Arts and Culture Council; and the Oregon Arts Commission, a state agency funded by the state of Oregon and the National Endowment for the Arts.
Portland, OR. The Oregon Shakespeare Festival announced that David Schmitz will become its fourth executive director in fall 2020. Schmitz succeeds Cynthia Rider, who held the position from 2013 through 2018, and Paul Christy, who became acting executive director in January 2019 and has been leading the Festival’s transition throughout the executive search period. Schmitz has worked at Steppenwolf Theatre for the past 15 years, serving in the role of Director of Finance and Administration, General Manager, Managing Director, and currently as Executive Director.
He takes over at a critical time for the organization, which just canceled its 2020 season. Since suspending performances on March 12th, OSF teams have been working to plan and schedule a 2021 season. OSF is also currently running a $5 million dollar critical relief fundraising campaign, Dare to Dream.
As the executive director of OSF, Schmitz will provide shared leadership with Artistic Director Nataki Garrett, enhance the role of philanthropy in the organization’s success, support ongoing artistic and education programming and impact, while overseeing all administrative functions, including development, marketing, facilities, and operations.
“The OSF Board of Directors is enormously pleased that David Schmitz will join us in September as our new executive director,” said Diane Yu, OSF board chair and chairperson of the executive search committee. “He is a consummate professional who has impressive breadth and depth of experience in all phases of theatre management—from finance to marketing to development to operations to community relations to theatre building.”
“David’s reputation and accomplishments working with theatre makers, artists, patrons, and partners in the arts, combined with an extraordinary sense for community building, precede him,” said Nataki Garrett, OSF artistic director. “I’m grateful for the breadth of experience he brings to OSF through a variety of pivotal leadership roles critical to ensuring the future of this organization for many years to come, including our current top priority to return transformative theatre to our stages in 2021.”
In the executive director role at Steppenwolf, Schmitz has led strategy and execution for all fundraising, marketing, and business-related activities. His work includes securing the necessary resources and institutional support for the world-famous ensemble to achieve their creative ambitions in the present and the future.
“I am thrilled to be named incoming executive director of the Oregon Shakespeare Festival and to begin this extraordinary partnership with Nataki Garrett, the OSF Board, its artists, staff, volunteers, and the entire community of Ashland, the Rogue Valley, and Southern Oregon,” said David Schmitz. “I’m equally inspired by the legacy and dedication of OSF’s audience, patrons, and supporters to become their partner at this unprecedented time in the world of live theatre.”
Schmitz’s stellar track record has won him widespread national acclaim for what he has accomplished at Steppenwolf. Under Schmitz’s leadership, Steppenwolf enjoyed significant growth in annual
fundraising, including a total increase in annual giving of 25% over his tenure as executive director, and forged significant partnerships with national foundations including the Wallace Foundation, Roy
Cockrum Foundation, and Doris Duke Charitable Foundation.
“David is well known for his strategic thinking and interpersonal and communication skills, and is committed to OSF’s core values, including inclusion and diversity,” added Yu.
Schmitz’s experience as an actor, designer, and director gives him a unique perspective into the artistic world and informs his approach to administration. During his tenure, Steppenwolf produced over 115 plays, which included the transfer of more than 20 productions to Broadway, regionally, and internationally, and was recognized as a Top Small Workplace by the Wall Street Journal. Schmitz is a founding member of Enrich Chicago (an organization working to end racism in the arts in Chicago) and was an initial participant in the Theatre Communications Group’s Equity, Diversity, and Inclusion Institute.
About OSF
Founded by Angus Bowmer in 1935, the Oregon Shakespeare Festival (OSF) has grown from a three day festival of two plays to a nationally renowned theatre arts organization that presents an eight-month season of up to 11 plays including works by Shakespeare as well as a mix of classics, musicals, and world-premiere plays and musicals. OSF’s play-commissioning programs, which include American Revolutions: the United States History Cycle, have generated works that have been produced on Broadway, internationally, and at regional, community, and high school theatres across the country. The Festival draws attendance of upwards of 400,000 to more than 800 performances annually and employs 400 to 600 theatre professionals.
OSF invites and welcomes everyone, and believes the inclusion of diverse people, ideas, cultures, and traditions enriches both our insights into the work we present onstage and our relationships with each other. OSF is committed to equity and diversity in all areas of our work and in our audiences.
OSF’s mission statement: “Inspired by Shakespeare’s work and the cultural richness of the United States, we reveal our collective humanity through illuminating interpretations of new and classic plays, deepened by the kaleidoscope of rotating repertory.”
Support for OSF during COVID-19
Canceling the 2020 season has very real financial consequences for OSF. Since suspending performances on March 12, OSF teams have been working to plan and schedule a 2021 season. All 2020 ticketholders are invited to donate tickets or consider a voucher for use in 2021. Ticket donations and vouchers represent an investment in the future of OSF, the communities of Ashland and the Rogue Valley, and the importance of art and storytelling in a post-pandemic world. OSF is also currently running a $5 million dollar critical relief fundraising campaign, Dare to Dream.
While OSF can’t currently receive visitors on the campus, they welcome patrons to visit O!, a new interactive and immersive digital platform that extends the artistry and creativity of OSF to patrons, supporters, fans, and virtual communities everywhere. O! will be the world’s connection to OSF’s work throughout the COVID-19 pandemic closure, and will continue delivering the transformative power of theatre into the future.
Portland, OR. The Oregon Museum of Science and Industry (OMSI) transformed its annual Gala into a virtual evening called Celebrating Science. With the help of KGW-TV, the May 2nd virtual benefit met its original fundraising goal of more than $1 million dollars in contributions.
Over Zoom (pictured above) OMSI thanked sponsors in the top row, Presenting Sponsors Kimberly Cooper and Jon Jaqua of the Jon V. Jaqua and Kimberly B. Cooper Fund of the Oregon Community Foundation, Christine and David Vernier of Vernier Software & Technology. In the second row: Gina and Max Williams, Emily Karr, and Sally Bany. And in the third row: Chris and Jill Hall, Kristin Luck and Su Embree, and Janeese Jackson and Ross Lienhart. Fourth Row: Penny and Peter Serrurier, and Tom Liu and Holly Coit.
On camera, OMSI COO and Incoming President Erin Graham, Gala Chair Jordan Schnitzer, and OMSI President and CEO Nancy Stueber announce a demonstration to celebrate science with a bang.
OMSI Educator Meng Vue demonstrates a hydrogen balloon explosion during Celebrating Science.
During the Celebrating Science program, kids tour the water play area in the newly refreshed Science Playground at OMSI.
Jean Paul, Gregory Chaillé, and Adrienne Chaillé Celebrating Science with OMSI from home.
Innovating in response to the pandemic shutdown, OMSI partnered with KGW, Meyer Pro, and Sisbro Studios to broadcast and stream the Celebrating Science program, sharing entertaining science and inspiring curiosity with 500 Gala guests and the broader Oregon community.
Gala guests enjoyed Oregon snacks and fine wine from packages picked up at OMSI before the event and hosted Zoom tables to share the evening. Meanwhile, new community members joined existing donors as Sustaining Supporters of OMSI, with their contributions matched $200,000 by long-time OMSI partners. In Celebrating Science, OMSI’s talented educators ignited exciting explosions, led viewers on a “sneak peek” tour of two newly-constructed areas at OMSI—Science Playground and the Teen Tech Center—introduced insects and reptiles from the Life Sciences Hall, and presented an inspiring segment documenting the profound impact of OMSI statewide outreach programs, featuring a visit to rural Crane, Oregon. Viewers could call-in to become sustaining members and to purchase never-before offered OMSI experiences, such as a virtual program for a household with an OMSI educator.
OMSI leaders—including Nancy Stueber, who retires at the end of this month after 20 years as President and CEO, and current COO and Incoming President Erin Graham—along with Gala Chair and community leader Jordan Schnitzer, also made special appearances. OMSI has benefited from Stueber’s science background, focus on students and visitor experiences, knowledge of effective STEAM programs that inspire young learners, world-class exhibits, robust partnerships, community engagement, successful fundraising, team development and exemplary leadership throughout her tenure, and looks forward to building on these successes through the presidency of Graham.
OMSI celebrates the notion that everyone can be successful science learners. Funds raised through the Gala are used for OMSI’s multitude of programs, including current work in digital programming and emergency relief childcare for families of frontline workers. “We rely on the support of everyone in our region to help us continue to provide our unique services. Your support of any amount will help to make sure OMSI will always be here to welcome you and your family,” said Stueber.
David and Christine Vernier, co-founders of Vernier Software & Technology and long-time contributors to OMSI, discussed their ongoing support as Presenting Sponsors of the OMSI Gala 2020: Celebrating Science in this way: “Now more than ever, Oregon needs a scientifically literate community, and OMSI provides experiences that help people understand how science affects all of our lives. Through STEM education … we all become part of the solution to the most pressing issues of the 21st century.”
At the conclusion of the program, Graham gratefully expressed, “Thanks to the support of everyone watching, OMSI can continue to improve and deliver on our mission. We have always been a place by and for our community, and you all came together and proved that once again.”
Anyone can get involved and assist OMSI in its ongoing efforts to extend science-learning across Oregon and throughout the Pacific Northwest. Visit omsi.edu/donate or send an email to [email protected] for more information. To watch Celebrating Science again or share it with a friend, visit https://www.facebook.com/95214830735/videos/219530146015165/.
About OMSI: Our Mission The Oregon Museum of Science and Industry (OMSI) inspires curiosity through engaging science learning experiences, fosters experimentation and the exchange of ideas, and stimulates informed action. OMSI is an independent non-profit 501(c)(3) organization and relies on admissions, memberships, and donations to continue our educational mission, programs, and exhibits. More information at omsi.edu.
Portland, OR. When the 2020 Friends of the Children “Friend Raiser” was forced to pivot because of the COVID-19 virus, it created a two-step plan. First, it offered mobile bidding and a silent auction in advance. Then on May 14th the nonprofit held a live-streamed program, live auction, and virtual paddle raise. In the end, Friends of the Children raised $1.5 Million with the virtual benefit.
The virtual auction was broadcast live.
Highlights included this shout-out from Mayor Wheeler below:
There was also a message from Russel Wilson and founders Cindy & Duncan Campbell. If you missed the live program you can check out the recording at friendraiserpdx.com.
From Friends of the Children:
Friends of the Children – Portland is the founding chapter of a nationwide organization dedicated to breaking the cycle of generational poverty through salaried, professional mentoring. For 25 years, Friends of the Children has used evidence-based strategies, long-term interventions, and nurturing relationships to serve youth facing the greatest societal challenges. For every $1 invested in program youth, $7 is returned to the community in savings within the public sector and contributions to the private sector, according to a Harvard Alumni Association of Oregon research. This year, Friends of the Children was named the number one Most-Admired Nonprofit in Oregon by the Portland Business Journal for the fourth time in six years.
Portland, OR. Portland Opera announced that the first two operas of the 2020/21 season, Robert Xavier Rodríguez’s Frida and Puccini’s Tosca, will be postponed. In a news release on May 15th, Portland Opera stated the following: In accordance with guidance from the office of Governor Kate Brown prohibiting large gatherings through September, and with the health and safety of our patrons and staff in mind, Portland Opera will reschedule these performances to take place in 2021. Dates will be announced at a future time. This postponement will include all main stage opera performances, as well as related events, and public programming.
“The health and well-being of our audience, staff, and community during this crisis remain our number one priority,” says General Director Sue Dixon. “We look forward to the day we can share Frida and Tosca with the Portland community, and in the meantime, we continue to strengthen our commitment to come out on the other side of this as a stronger organization.”
A scene from Portland Opera’s 2019 production of Rossini’s The Barber of Seville. Photo by Cory Weaver/Portland Opera.
Current subscribers and members can contact our Patron Services team with any questions. They can be reached Monday – Friday, from 10 AM – 5 PM at 503-241-1802. Additional details can be found online by visiting PortlandOpera.org.
About Portland Opera:
Portland Opera exists to inspire, challenge, and uplift our audiences by creating productions of high artistic quality that celebrate the beauty and breadth of opera.
Since 1964, Portland Opera has contributed to the cultural, artistic, and economic landscape of the city and region that we love. We celebrate the beauty and breadth of the opera repertoire with performances that take place in the Keller Auditorium, Newmark Theatre, and the Gregory K. and Mary Chomenko Hinckley Studio Theatre at the Hampton Opera Center. The company is also a committed educational partner, touring fully staged operas to schools and community centers throughout Oregon and SW Washington region each year, in addition to a host of other efforts designed to make opera accessible for all.
Portland, OR. Rose Haven day shelter has already raised over $100,000 toward a fundraising goal for its annual mother’s day walk. Due to the COVID-19 pandemic, the 2020 fundraiser was made into a virtual event. Rose Haven is a day shelter and community center serving women, children, and gender non-conforming people who are experiencing trauma, poverty, and physical/mental health challenges.
Here’s a video about the event:
The Reigning Roses Walk has been Rose Haven’s signature event since 2014, bringing together its community of donors, volunteers, and guests each Mother’s Day to raise funds and awareness for its day shelter.
Here’s how you can participate:
Virtually Participate
Register to virtually walk with us at makeitreign.org
Make a personal donation
Customize your personal fundraising page
Share your custom link with friends and family via social media, text and email
Create a video clip or image showing off your walk…wherever you are; post to social media and tag Rose Haven
Watch your donations make a difference in our community
Community members are invited to walk with, or in honor of, a special woman in their life – a mother, grandmother, daughter, partner or friend. Participants collect pledges to participate; all proceeds benefit the women and children of Rose Haven.
About Rose Haven:
We are a sanctuary from the street, offering compassion, practical assistance & community to women, children, and gender diverse people facing the loss of home, abuse or other life disruptive experiences. Learn more at www.rosehaven.org
Rose Haven was designed using the results of a survey done in 1997 by Sr. Cathie Boerboom and Joan Van Almen, which asked the women of Old Town what they most needed and wanted. Sr. Cathie then joined forces with Stephanie Banka and began to build connections with other agencies and churches that met some of the needs of the women expressed. From here they built a program that complemented existing services, filled the voids and provided connectivity between resources and agencies. Soon, Rose Haven began responding to the critical need for safety for women. In 1998 Rose Haven began as a program of Catholic Charities where it quickly brought aid to more than 2,000 women and children in the Portland area each year.
In 2007 Rose Haven became an independent non-profit organization, relocated to NW Portland, and continued to provide direct services to homeless and abused women and children.
From the beginning Rose Haven has welcomed women off the street and with deep respect addressed each one’s expressed needs by offering life sustaining services and assistance in obtaining them. The staff and volunteers have a passionate commitment to the empowerment, integration and self-sufficiency of the women they serve.
Portland, OR. De La Salle North Catholic held its 15th Annual Changing Destinies Luncheon as a virtual event on April 23rd. The second-largest fundraising event for the school raises funds for its financial aid program, to ensure that no student is turned away because of an inability to pay. Currently, 92% of families receive funding to attend De La Salle North Catholic. Going virtual provided new fundraising opportunities for the school and raised $285,250.
Oscar Leong, President of the school, had a message for supporters from the halls of the school now closed because of the COVID-19 crisis.
From De La Salle North Catholic:
De La Salle North Catholic is the only high school in the Pacific Northwest to provide a college prep curriculum coupled with a unique work-study program for low-income students in Portland. Together with our 80+ corporate partners, we are empowering our students to change their destinies through a quality education.
Portland, OR. The Northwest Film Center and the Portland Art Museum present the virtual opening of Spaceship Earth, screening online starting Friday, May 8, for a one week run. Spaceship Earth premiered at this year’s Sundance Film Festival and follows eight people who spent two years inside of a replica of Earth’s ecosystem called Biosphere 2.
About the film: Spaceship Earth is the true, stranger-than-fiction, adventure of eight visionaries who in 1991 spent two years quarantined inside of a self-engineered replica of Earth’s ecosystem called BIOSPHERE 2. The experiment was a worldwide phenomenon, chronicling daily existence in the face of life-threatening ecological disaster and growing criticism that it was nothing more than a cult. The bizarre story is both a cautionary tale and a hopeful lesson of how a small group of dreamers can potentially reimagine a new world.
Here’s information about the virtual opening of Spaceship Earth:
Your $3.99 ticket will directly support both NWFC and PAM and we encourage all of our members, staff, and supporters to join us—and spread the word.
At a time when most cinemas are expected to remain shuttered due to the coronavirus pandemic, our plan is to continue bringing new films to the PAM and NWFC audiences in new ways that allow us to follow social distancing rules.
We are proud to partner with NEON, the film production and distribution company that released Oscar winners such as Parasite and I, Tonya, on this innovative strategy to bring Spaceship Earth to our audiences during COVID-19.
We are happy to offer this film at an affordable price because of the economic hardship that Americans are facing during the pandemic.
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