United Way of the Columbia-Willamette Raises Over $600k for COVID-19 Relief Effort

United Way of the Columbia-Willamette Raises Over $600k for COVID-19 Relief Effort

Portland, OR. United Way of the Columbia-Willamette worked ahead of the curve to raise over $600,000 in response to the emerging needs due to the COVID-19 outbreak in the community. It began distributing the funds to needy people in April. “We have been overwhelmed with requests for assistance and receipt of in-kind goods,” noted Cindy Adams, President and CEO. “We have continued to leverage our strong partnerships with culturally responsive and culturally specific nonprofits in the community to distribute funding and in-kind goods to individuals and families who have been impacted the most by the pandemic.” Thanks to the help of its partners, United Way has continued to provide access to assistance in short-term housing, utilities, and access to food.

Here’s a video update from the organization:

The nonprofit focuses specifically on racial and ethnic equity by assisting local families and kid’s projects. Its programs include education-based projects aimed at increasing graduation rates for students of color, and financial assistance for healthcare and housing for families.

United Way (UW) staffer delivers in-kind donations to the Q Center in Portland.

The organization adapted quickly to an online business model, due to a previously in-place telecommuting policy that ensured resources and technology were available for the transition. United Way has done its best to navigate the lack of social contact, making the most of technology like Zoom, virtual cards, and phone calls.

LCSA_UW partner: Members of Labor’s Community Service Agency, a United Way nonprofit partner that received Safety Net funding in response to the pandemic, deliver food boxes to families in need.

As donations continue to come in during the nonprofit’s annual workplace campaign season, the organization will distribute the funds to partners assisting those in need as the community navigates the pandemic. Details of the distribution of funds to organizations can be found here.

Cindy Adams expects the needs of the community to continue to grow. She added, “United Way of the Columbia-Willamette is committed to helping our community transition from response to recovery and then rebuilding a community that is more resilient than ever before. We ask that our community, your readers, stay safe, be well, and think about how we can help those who are maybe less fortunate than ourselves.

From United Way of the Columbia-Willamette:

United Way of the Columbia-Willamette has been bringing our community together to do good for nearly 100 years.

We connect the people, nonprofits, businesses and government agencies addressing poverty in our region.

Our Mission:

Improve lives, strengthen communities and advance equity by mobilizing the caring power of people across our metro area.

We’re working hard to create a future where kids in our region are free from instability and worry so they can be free to play and discover, free to learn and grow.

Free from poverty. Free to reach their potential.

Right now, 20% of kids in the Portland region live in poverty and 1 in 3 families can’t pay for basic needs.

That’s 1 in 7 kids whose families must choose between:

• Rent or groceries
• Heat or healthcare
• New clothes or TriMet fare

Together, we can make our region a better place for everyone.

With your support, we can continue investing in our region’s schools, families and communities.

Schools for Kids 

  • More students are showing up prepared for the first day of kindergarten than ever before.
  • New preschool classrooms are being built, particularly addressing culturally-specific communities.
  • Graduation rates are increasing for students of color with the help of community partners.

Families for Kids

  • Families receive the assistance they need to help pay for basic needs like rent and food on the table.
  • Many families are staying housed one year after receiving service.
  • With free tax services from our partners, working families are receiving important tax credits to remain financially stable.

Communities for Kids 

  • Through Hands on Greater Portland, United Way’s volunteer program, thousands of volunteers are connected to meaningful projects being held throughout our region.
  • The value of service from our volunteers equates to hundreds of thousands of dollars put back into the community.
  • Hundreds of local organizations are receiving service from our volunteers.

When we understand the causes of poverty in our region, we have a better chance of finding solutions. By partnering with local organizations and providing opportunities to convene and mobilize, United Way can address the different areas of need in our community and find strategies that will create the strongest impact.

Pandemic Shakes Foundational Aspects of Luxury-Goods Industry

Pandemic Shakes Foundational Aspects of Luxury-Goods Industry

Portland, OR. A lifestyle story: With crowded stores becoming more of a distant memory since the COVID-19 crisis, some financial analysts are evaluating the impact on luxury goods. A team from the consulting firm McKinsey & Company offered research material about the topic.

While it’s too early to quantify COVID-19’s total financial toll on the sector, the pandemic has certainly shaken some of the foundational aspects of the luxury industry—and some of these changes could be permanent.

 As stores remain closed in many parts of the world, e-commerce is a crucial channel for keeping sales up, communicating with customers, and forging a sense of community around a brand. Accelerate your digital investments and shift media spending to online channels, with a focus on customer activation rather than brand building. Aside from enhancing your own websites, also consider partnerships with reputable e-retailers. Digital marketing could help not only boost online sales but also entice consumers to visit stores once they reopen.

Louis Vuitton in Beverley Hills

Wholesale Darwinism. Even before the pandemic struck, independent luxury-goods wholesalers in Europe (many of which are small, family-owned boutiques) and some of the large North American luxury department stores were already struggling—in part because of luxury brands moving to vertical integration over the past 20 years and, more recently, the growth of e-commerce. This pandemic might force some of them out of business. The damage could extend to brands that have not yet fully transitioned to a vertically integrated distribution model, as well as to upstart brands that need wholesale channels to reach new customers and to finance the development of their full collections. To survive, wholesalers are likely to adopt aggressive commercial and discount policies—which, at least in the medium term, could hurt the luxury positioning of brands that don’t have a concession model.

From global traveler to local shopper. The luxury sector appeals to a global consumer: 20 to 30 percent of industry revenues are generated by consumers making luxury purchases outside their home countries. In 2018, Chinese consumers took more than 150 million trips abroad; we estimate that purchases outside the mainland accounted for more than half of China’s luxury spending that year.1 Asian shoppers buy luxury goods outside their home countries not only to benefit from lower prices in Europe, but also because shopping has become an integral part of the travel experience: buying a brand in its country of origin comes with a sense of authenticity and excitement. With the recent travel restrictions, an important driver of luxury spending has come to a halt, and we anticipate only a gradual ramp-up in international travel, even after the restrictions are lifted. That said, Chinese consumers remain the biggest growth opportunity for the luxury sector. Brands, clearly, will need a new approach to attracting luxury shoppers. To reactivate Asian luxury consumers in their home countries, brands can focus on creating tailored local experiences, strengthening their digital and omnichannel offerings, and engaging more deeply with consumers in tier-two and -three cities. The latter will be challenging, given the limitations in both retail infrastructure and customer-service capabilities in those cities.

Shows without live audiences. Fashion weeks and trade shows have been essential ways that brands have maintained vibrant relationships with consumers and trade partners. While we expect some return to normalcy on this front, we also believe that the luxury industry—in close collaboration with fashion-week organizers and trade associations—should explore alternative ways to deliver the same kind of magic that these events offer when there are restrictions on international travel and large gatherings. Industry players might also consider pushing for a coordinated revamping of the fashion calendar, with brands simplifying and streamlining their presentation calendars.

From ownership to experience, and back again. “Experiential luxury”—think high-end hotels, resorts, cruises, and restaurants—has been one of the most dynamic and fast-growing components of the luxury sector. Millennials (those born 1980–95) opted more for experiences and “Instagrammable moments” rather than luxury items. Baby boomers (born 1946–64), too, were moving in this direction, having already accumulated luxury products over the years. While we expect the positive momentum of experiential luxury to persist, it will slow down in the short term as consumers temporarily revert to buying goods over experiences.

Hyperpolarization in performance. Even before the crisis, it made little sense to talk about the sector in terms of averages because growth rates and profit margins were so widely spread out. Even within the same segment and price point, luxury brands’ growth varied from 40 percent to negative percentages and earnings from 50 percent to single-digit percentages. We expect further polarization based on three fundamentals: the health of a brand’s balance sheet prior to the crisis, the resilience of its operating model (including its digital capacity, the agility of its supply chain, and its dependence on wholesale channels), and its response to COVID-19.

Another chance for ‘rare gems.’ Over the past decade, European luxury conglomerates, private-equity firms, and, more recently, US fashion groups and Middle Eastern investors eagerly snapped up attractive acquisition targets. As a result of the current crisis, some of these acquirers—particularly those that aren’t luxury companies themselves—could find that they have neither the core competencies nor the patience to nurture these high-potential brands, and thus might be willing to put them back on the market. Acquisitions that were once forbiddingly expensive could become viable in the postcrisis period. Such developments could result in further industry consolidation or even the formation of new luxury conglomerates.

Time and again, the luxury industry has proved capable of reinvention. We are confident about the sector’s long-term potential. But some brands will emerge from the crisis stronger, while others will struggle to preserve the integrity of their business. Much will depend on their ability to respond to the short-term urgencies related to COVID-19 while simultaneously planning and executing for the future.

While the COVID-19 pandemic has made for a challenging 2020, we are confident that, with careful planning and deft execution, the luxury-goods sector can successfully weather the crisis and emerge even stronger. The actions we’ve outlined here can help you and the other leaders in your organization navigate the challenges of today while building and strengthening your business for the longer term.

 
Oregon Golf Association Sees Uptick in Play During COVID-19

Oregon Golf Association Sees Uptick in Play During COVID-19

Woodburn, OR. “We have definitely seen an uptick on rounds of golf played since the pandemic began,” says Chief Executive Officer of the nonprofit Oregon Golf Association, Barb Trammell. “The OGA Golf Course here in Woodburn – which is home to our offices – has certainly experienced a surge in rounds. Our rounds this year are approximately 20% higher than the average of the past 3 years.” And some tournaments are still being played, like the Oregon Amateur Championship.

Bryce Wortman, Lara Tennant and Amanda Jacobs are crowned champions at the Oregon Amateur Championship on June 25th at Columbia Edgewater Country Club.

“Here in Oregon, we were fortunate that golf remained open when all non-essential businesses were shuttered. I think the fact that golf is an activity that can easily be played with social distancing and is outside attracted a lot of first-timers as well as turned those who maybe played only a handful of times into avid players,” Trammell explains.

The Oregon Golf Association (OGA) is a 501(c)(6) non-profit membership association. Founded in 1924, the OGA was originally established with the sole purpose of conducting the Oregon Amateur Championship. Since its founding more than 90 years ago, the OGA works tirelessly to promote, foster, and grow the game of golf providing a multitude of benefits and services to approximately 41,000 individual men, women, senior, and junior members at more than 400 member golf clubs throughout Oregon and Southwest Washington.
Community Warehouse Raises Record Amount at Annual Gala “Chair Affair”

Community Warehouse Raises Record Amount at Annual Gala “Chair Affair”

Portland, OR. Community Warehouse raised a record $200,687 at its annual gala, “Chair Affair,” which was held on June 26th. The event was held virtually due to the Covid-19 pandemic. Chair Affair 2020 was “a virtual affair to remember,” according to Community Warehouse Communications Manager Pua Trice, and featured “unique art, exciting auctions, and inspiring stories from people whose houses have been transformed into homes.” 

“The event raised a record-setting net of $200,687 that will connect essential furnishings to neighbors in need throughout the region,” Trice said. Dale Johannes and Dunethcka Otero-Serrano, Community Warehouse’s Executive Director hosted the event, as shown in the photo above. “I want to start tonight’s Chair Affair with gratitude,” Otero-Serrano said. “These past few months have been so challenging for all of us, but we have been able to get creative and continue service to our community because of our partners.” 

Children’s Chairs created by local artists and sponsored by wonderful supporters of Community Warehouse. These chairs go to children of families that visit the Warehouse in need of furnishings.

“These past few months have certainly been challenging,” Johannes said, “but your team of superheroes—and they are superheroes—they’ve been hard at work adapting to this change and creating some new ways to meet the needs of the community.” 

The hosts emphasized how important a table or a bed can be throughout Covid-19’s disruptions to daily life, and that Community Warehouse has continued to serve their clients throughout the pandemic by supplying them with Home2Go essential item kits.  

“These are kits that are essential items for every household, designed to give our clients an opportunity to cook their own meals, to have a safe place to sleep, a full set of dishes, and a full set of towels and bedsheets,” said Community Warehouse Program Director Joe Glode in a video.

Stories from various partners, volunteers and clients were spotlighted at the event. Partners like the Tigard-Tualatin School District detailed the impact that essential furnishings have on their students’ capabilities in the classroom, and Youth volunteers highlighted their understanding and proactivity towards Community Warehouse’s mission.

Matthew Mickles, Ben Garcia, and Priscilla Villanueva from the Tigard-Tualatin School District

“Well-being was encapsulated by the Espinoza family,” Trice said, “clients that can enjoy ‘family day’ in a warm and welcoming home.”

The Espinoza Family—Amelia, Alexander, Ailani, Steve, Sandra, and Sandy

According to Glode, at the beginning of the pandemic in March, Community Warehouse had to temporarily lay off most of its staff. “When city and state officials issued a stay at home order, we really were thinking, how do you stay at home if you have nothing at home?” Glode said. 

That’s when Community Warehouse decided to start making essential item kits—called Home2Go kits—with items they had readily available in both their Portland and Tualitan warehouses. 

Since March, Community Warehouse has been able to bring nearly all of their staff back to work in some capacity, and the organization is continuing to focus on providing their services to the Portland community. 

“It means a lot to know that we have the support of everyone in the community to make sure that we can provide furniture in a safe place to live for everyone,” Glode said.

Joe Glode, Program Director at Community Warehouse, preparing a Home2Go Essential Item Kit.

About Community Warehouse:

We’re your friendly local furniture bank, serving the Portland area for over 15 years. How does a furniture bank work? In a nutshell, we collect donated home goods, and work with social service agencies to get those goods in the hands of those who need it most. The stuff you no longer need becomes the solution for a family in need. Pretty simple, huh? At Community Warehouse, it’s the simple stuff – the extra dishes, towels, beds, and more – that changes lives.

Portland Youth Philharmonic Musicians Adapt to Virtual Practices and Performances

Portland Youth Philharmonic Musicians Adapt to Virtual Practices and Performances

Portland, OR. In the midst of a global pandemic, the Portland Youth Philharmonic is finding new ways to connect musicians with each other as well as the community at large. Following the cancellation of its 96th concert season, musicians and directors have replaced in-person practices, concerts and lectures with Zoom calls, YouTube videos and Facebook live streams.

As the PYP continues to adapt to COVID-related changes, the public can engage with the nonprofit via Facebook and YouTube, where PYP posts live streams and a series of video talks entitled “Conversations with the Conductor.” Young musicians interested in joining the PYP may submit virtual auditions in preparation for next year’s season. You can see an example below:

Society Page interviewed four young musicians and composers — 14-year-old violinist Francie Lenhart, 11-year-old double bassist Rowan Lenhart, 13-year-old violinist Haruka Sakiyama, and 15-year-old violinist Koharu Sakiyama — to learn their perspectives on the changes they have had to make. 

In general, these musicians find virtual practices challenging. “You don’t actually get to hear your teachers or your actual sounds,” Haruka Sakiyama, explains. The musicians also point to technical glitches as a major setback: Rowan explains that the audio sometimes takes on a metallic quality or sounds as if the teacher is underwater.

Nevertheless, the musicians offer positives to the situation, all while keeping their good humor. “We don’t have to do the long car ride to practice,” says violinist Francie Lenhart, laughing. Haruka cites increased family time as a positive, while Koharu states: “In some ways, things are less chaotic. We have more time to just concentrate on practicing.”

From the Portland Youth Philharmonic’s website: In 1924, a group of visionary citizens established the Portland Junior Symphony Association (later renamed the Portland Youth Philharmonic Association or PYP for short). Building on the pioneering work of Mary V. Dodge, whose Irvington School Orchestra was the nucleus of the first Junior Symphony, the Association engaged Russian émigré Jacques Gershkovitch as conductor. PYP is the oldest youth orchestra in the United States. The structure and standards that it established for training young musicians in the 1920s became the prototype for youth orchestras across the country.

Over the years, thousands of young musicians have played in one or more of PYP’s ensembles. Some have gone on to professional careers in orchestras across the country, including the New York Philharmonic, the Boston Symphony, the National Symphony, the St. Louis Symphony, the Oregon Symphony, as well as Juilliard and American String Quartets. Others have achieved great success in teaching music or exploring non-musical fields, while continuing to be accomplished amateur musicians and active supporters of the arts in their communities. Alumni often attribute much of their success in life to the discipline and teamwork they experienced as members of the Portland Youth Philharmonic.

Oregon Zoo Reopens to Public With Timed Ticketing & Limited Attendance

Oregon Zoo Reopens to Public With Timed Ticketing & Limited Attendance

Portland, OR. For elephants Rose-Tu, Shine, and Chendra, life at the Oregon Zoo has remained mostly the same since the zoo closed to the public on March 17th as a result of the COVID-19 pandemic. But starting on July 12th they’ll be able to see visitors outside their enclosure. The Oregon Zoo is reopening to the public, allowing fans to see the Asian elephant exhibit and many more. The zoo’s four-months without visitors has given some animals new opportunities, like penguins Nacho and Goat who recently went for a supervised woodland waddle.

“The outpouring of public support over these past three months has been incredible,” said Dr. Don Moore, zoo director. “The path forward may feel unfamiliar, especially at first, but we are excited to begin welcoming back our guests and continue working with the people of greater Portland — and Oregon more broadly — to create a better future for wildlife.”

One animal to see is the Red Panda named Mei Mei who had a pup about a month ago.

New regulations are in place at the Oregon Zoo to maintain social distancing guidelines. Time-specific tickets prevent the zoo from exceeding its decreased capacity, meeting social distancing requirements. A one-way path through the zoo will also make social distancing easier. Some indoor and high-touch areas of the zoo will remain closed until further notice, including the carousel and train rides, play areas, and indoor seating. 

All zoo employees and guests age six and up are required to wear face masks. Younger children are encouraged to wear masks, but the zoo acknowledges that this can be a difficult feat. Only those over six-years-old with medical conditions preventing them from wearing a facemask will be exempt from this rule. 

To help ensure a safe experience for all, the following measures will be in place during the zoo’s initial reopening phase:

  • Timed ticketing/limited attendance: To prevent crowding and long lines, the zoo will open with reduced capacity and timed ticketing. All guests — including zoo members — must reserve their tickets online in advance. Guests will choose a day and time to visit, and receive an electronic ticket to be scanned once they arrive. Tickets may be reserved/purchased via the zoo website. Member-only preview reservations are available Monday, July 6. General admission and all other membership reservations go on sale Wednesday, July 8.
  • Primarily outdoor experience: Guests will follow a one-way, mostly open-air path through the zoo’s 64-acre park-like campus, with some indoor and high-touch areas remaining closed. Visitors should keep an eye out for blue “Paws [pause] for Safety” markers along the route. Carousel and train rides will not be operating.
  • Masks/face coverings: To help protect the safety of animals, staff and guests, face coverings will be required for zoo employees and for all guests over the age of 6 upon entry and in designated areas. Guests ages 2-5 are encouraged to wear masks if possible. Guests who are unable to wear a mask or face covering for medical reasons will be exempt.
  • Handwashing and sanitizing stations: Additional handwashing and sanitizing stations have been added throughout the zoo.

Learn more about what to expect when you visit.

Dr. Moore expressed his gratitude to members and donors to the Oregon Zoo Foundation’s emergency recovery fund, which provided a $1 million infusion to support zoo operations following the closure. Even when the zoo reopens though, it faces much uncertainty, he says.

“Reopening, even in this limited fashion, is a huge step forward,” Moore said. “But we still really need help from our zoo supporters and friends to get us back on our feet.”

The foundation is leading efforts to fund the critical needs of the zoo during its scaled-back reopening. To contribute, go to oregonzoo.org/donate.

Moore also praised the efforts of the zoo’s animal-care team, who “have not let COVID-19 slow down their important work” since the zoo closed on March 17th.

From Oregon Zoo:

While closed, animal care continued as usual. The Oregon Zoo remains well-stocked throughout the entire year with food and medicine, prepared for emergency situations such as these. The Oregon Zoo Foundation’s emergency recovery fund helped finance the continuing operations of the zoo after its sudden closure.

Home to around 2,500 animals representing more than 200 species, the Oregon Zoo is one of the oldest zoos in the United States, first opening in 1888. Now recognized as a world-class center for wildlife preservation and field research, the zoo’s 130-plus-year journey has seen vast leaps in animal-welfare science, and an increasing focus on sustainable operations, wildlife education and conservation.

My Father’s House Continues Helping homeless Families

My Father’s House Continues Helping homeless Families

Portland, OR. Things continue to feel far from normal for My Father’s House, where the regulatory efforts to prevent the spread of COVID-19 have led to the cancellation of all fundraising events this year. The organization – which is will soon celebrate 20 years of service to the houseless community of Oregon – is rescheduling its anniversary celebration From January to April 17, 2021. Currently, much many of the resident families (like the one above) are looking forward to continuing the back-to-work education in person at My Father’s House. My Father’s House reclaims at-risk homeless families from street life by providing them with the life skills necessary to become permanently independent and productive citizens.
The mass layoffs in the wake of the pandemic have severely disrupted the organization’s back-to-work program. “It’s been difficult as residents have lost jobs. It feels like one step forward and two steps back…,”  conveyed Assistant Director Andrea Pickett. She explained that their educational program – which includes the Life Skills and Rent Well curriculums – encountered difficulties in adapting to Zoom.

This single dad and his kids are residents at My Father’s House.

The support of family means everything during these times.

The community has stepped up to lend a hand during the pandemic.

Nonetheless, faculty have been working hard to meet state requirements, conducting classes on Zoom, and striving to keep contact with residents via phone and internet. “We certainly have upped our technology skills,”  Andrea noted. “We have been able to keep a somewhat normal schedule of classes, case management, job, and housing search. In addition, while secluded, we have been able to work on facility issues of repair.”
Despite the difficulties, the faculty and residents remain hopeful. Phase One has allowed many residents to return to work. The community has also stepped up to help fill in the gaps, which Andrea added, “has been extremely generous by providing food, PPE supplies, and help with our cleaning/yard work.”
For anyone interested in getting involved with the organization, please contact Sara at [email protected] OR 503-492-3046 x224.
About My Father’s House
The mission of My Father’s House is to equip homeless families with the life skills necessary to become contributing members of their community.
Oregon Symphony Cancels All Concerts Scheduled Through December 2020

Oregon Symphony Cancels All Concerts Scheduled Through December 2020

Portland, OR. You won’t see the Oregon Symphony tuning up (like the photo above) anytime soon. Oregon Symphony is canceling of all concerts through December 31st, 2020 due to the effects of COVID-19, affecting Portland and Salem performances. “We are deeply disappointed that we will not be performing the exciting lineup of live concerts we had planned for the beginning of the new 2020-21 season, but our primary concern is the health and safety of our audiences, musicians and employees,” says Scott Showalter, Oregon Symphony President and CEO. The decision which was announced on July 8th comes after evaluating the guidance and information shared by Gov. Brown and state health officials in regard to large gatherings of people in public spaces.

Oregon Symphony plans to resume live performances in January, maintaining the current 2021 concert schedule and will share updates as necessary. “In my 18th and final season as Music Director, I look forward to returning to the stage with our excellent Oregon Symphony musicians next year, when we can once again do what we love to do — play for our amazing community,” says Carlos Kalmar, Oregon Symphony Music Director.

In consideration of the cancelations, Oregon Symphony will continue to share recordings of past performances online, along with new musical video content featuring Oregon Symphony musicians. This June, Oregon Symphony launched two new digital series, each continuing to premiere free content: Essential Sounds and Symphony Storytime. Through these original series, Oregon Symphony continues to stay connected with their community, and share the healing power and joy of music.

Essential Sounds is a multifaceted digital program that pays an all-new musical tribute to the organizations, groups, sectors and individuals holding communities together across the nation during the pandemic. The series includes rich performances, revealing interviews and lighthearted interludes, produced across six episodes to honor frontline and essential workers who have worked tirelessly during the tragic impact of COVID-19. The first two episodes are available online now — honoring healthcare and food service workers, respectively — with the third premiering on July 12 in dedication to social services. The series airs every other Sunday at orsymphony.org/essential.

Symphony Storytime is a 13-episode digital video series designed for pre-K through elementary aged children and their families to experience popular illustrated storybooks. Each episode is entertaining and educational, and includes a great children’s story narrated by a master storyteller, with accompaniment by an Oregon Symphony musician or guest artist performing the book’s “soundtrack.” Families will learn fun details about the featured instrument, and books are in English and Spanish languages. There are nine 15-minute episodes available online now, with the final anthology released July 9, 2020.

“Thanks to the incredible support from our community, the Oregon Symphony has been a leader of the arts in Oregon for nearly 125 years,” says Showalter. “We look forward to returning in January with a variety of extraordinary concerts for the 2020-21 season, including An African American Requiem, a world premiere of Portland composer Damien Geter’s bold musical response to violence against African Americans; the continuation of our popular Kids Series, featuring entertaining and educational concerts for families; and Carlos Kalmar’s final concert conducting the Oregon Symphony, with the performance of Mahler’s colossal Symphony No. 9.”

For Ticket Holders

For tickets already purchased to canceled concerts, patrons can find information about donating the value of unused tickets, applying ticket value to a concert that has not been canceled, exchanging tickets for gift certificates or obtaining refunds for the canceled concerts by contacting Oregon Symphony Customer Service at 503-228-1353 or [email protected]. Patrons holding a subscription that includes canceled concerts can also apply the value of their ticket(s) to a 2021-22 season subscription, and secure the same seat locations. Those who are in the position to do so are encouraged to make an additional gift to support the Oregon Symphony online at orsymphony.org/support-us/give.

About Oregon Symphony

The multi-Grammy Award-nominated Oregon Symphony ranks as one of America’s major orchestras. Led by Music Director Carlos Kalmar, it serves more than 235,000 people annually through concerts and award-winning education and community engagement programs. The Oregon Symphony has broken attendance and fundraising records in recent years, while innovating on stage through new series such as SoundSights, Sounds of Home and SoundStories. As 2019-20 marks its 123rd season, the Oregon Symphony is the oldest orchestra in the western United States. For more information, visit www.orsymphony.org.

Follow Oregon Symphony on Instagram @OregonSymphony and Facebook @OregonSymphony.

 

Contact Information:

Allyson Marrs

Grady Britton

[email protected]

541-844-4688

Autism Society of Oregon to Livestream Upcoming Autism Walk

Autism Society of Oregon to Livestream Upcoming Autism Walk

Portland, Or. Last summer walkers hit the streets together for the annual Autism Walk, but this year’s fundraiser will be a virtual live-streamed event, according to the Autism Society of Oregon. The free event, for which participants can register online, will be held online at 1 P.M. on Sunday, August 23rd. “Patterns and routines help to make sense of the world for people on the autism spectrum – they’re incredibly important. When those patterns are disrupted, it completely disrupts everything.” Executive Director Tobi Rates provided some insight into life on the spectrum, noting the impact that the disruptions to school, work, and service provisions have had on people experiencing autism: “It’s been traumatic for a lot of people, and it’s an ongoing trauma because it doesn’t look like things are going back to normal anytime soon.”

Participants in this year’s Autism Walk can send videos and photos to ASO by July 14th

Those registered can send in videos and photos of themselves walking or running in their Autism Awareness/ Acceptance T-shirt by July 14th. These will then be featured during the virtual event in a compilation video. Viewers can expect recognitions and prize-giveaways for sponsors, as well as guest appearances from Star Wars characters and a Virtual Resource Fair.

Here is a video encapsulating the details of the event:

Adapting the Autism Walk – ASO’s largest fundraiser supporting Oregon and SW Washington programs – to a virtual setting is one of the many ways the organization has been able to maintain a sense of routine for its members during the COVID-19 pandemic.

Participants in last year’s walk sporting their awareness gear

Max’s support system celebrating at last year’s finish line

Whether participants choose to walk or run in this year’s event, they can expect the fun to be virtually limitless.

From Autism Society Oregon (ASO);

ASO will be Oregon’s leading organization providing resources, education, advocacy and support for individuals and families living with Autism.
Our Mission

Improving the lives of all affected by autism.

ASO is committed to achieving our vision through the following strategies:

• Education
• Support
• Resources
• Advocacy
• Collaboration
• Awareness
Our Values
At all times ASO builds community in a way that is ethical, respectful, safe, inclusive and welcomes all perspectives.

 

Oregon Historical Society Gearing up for Reopening and Rose City Soccer Exhibit

Oregon Historical Society Gearing up for Reopening and Rose City Soccer Exhibit

Portland, OR. “We are the Rose City! A History of Soccer in Portland.” That’s the focus of a new exhibit coming to the Oregon Historical Society (OHS) in late July. The Oregon Historical Society Museum will be reopening its doors to the public on Saturday, July 11th at 10:00 A.M. It has been closed since March 14th due to the Covid-19 pandemic. The Timber exhibit photo above features Mamadou “Futty” Danso, Jack Jewsbury and Steve Purdy celebrated a win following the Timbers first home game in the MLS era. (Photographer Craig Mitchelldyer, Courtesy of Portland Timbers.)

“We’re looking forward to reopening,” said OHS Executive Director Kerry Tymchuk. “We’ve got lots for people to see, and we’ll be following of course all the guidelines required by the state and the county as far as face coverings and social distancing.” Museum-goers will be able to check out OHS’s permanent exhibit, “Experience Oregon,” which debuted last year and chronicles “the good, the bad and the ugly,” of Oregon’s history, according to Tymchuk. Additionally, the new exhibit entitled, “Soccer in the Rose City,” will explore a full history of Portland’s soccer culture. 

Capo Tina leads section 108 during a 2019 Portland Thorns game. (Courtesy of 107 Independent Supporters Trust.)

Over the past few months, OHS has been busy producing a weekly newsletter and keeping the community updated and informed through social media.

“We’ve been very proud of all the work and material we’ve been able to provide through our social media outlets,” Tymchuk said. “We’ve been putting out great material on the pandemic, such as the Spanish flu pandemic of 100 years ago and how it impacted Oregon and lessons learned and not learned. And then we were able over the past couple of weeks to put out just a phenomenal amount of material on racial justice and equity.”

Just before having to shut its doors on March 14th, the museum was getting ready to debut an exhibit entitled, “Nevertheless, They Persisted: Women’s Voting Rights and the 19th Amendment.” Museum-goers will still be able to check out the exhibit when OHS reopens. “[It’s] a phenomenal exhibit—artifacts and documents, chronicling the fight for equal rights for women and giving them the right to vote,” Tymchuk said. “We’re anxious to give that a showing to everybody.” 

March in 1913 in support of women’s right to vote. Photo featured in OHS exhibit, “Nevertheless, They Persisted.”

Additionally, the OHS has a variety of virtual programs that can be found on the OHS website that will still be available after the museum reopens. 

According to Tymchuk, due to good financial planning and the Multnomah County levy, which provides the museum with funding, the OHS has not had to make any mass lay-offs or budget cuts. “We’ve been very fortunate,” he said. 

Tymchuk encourages anyone interested in supporting the OHS to visit the museum after it reopens, to make a tax-deductible donation, or to become OHS members. “A membership in OHS is a great deal, and we encourage people to become members—that way they get all the material that we put out,” he said. He also provided this reminder: “Here in Portland, because of the Multnomah County levy, all Multnomah County residents have free admission [to the museum].”

“We’ve been actively fulfilling our mission during this time,” Tymchuk said, referring to the pandemic’s effect on the OHS. “We certainly live in a time where people are becoming increasingly aware of the importance of history.” 

Kerry Tymchuk and Kate Brown

OHS Executive Director Kerry Tymchuk and Oregon Governor Kate Brown in June 2013.

Following re-opening, public museum and store hours will be Wednesdays – Saturdays from 10 am – 5 pm and Sundays from 12 pm – 5 pm. The OHS Research Library remains closed for renovations that began in January 2020. More information on library services that are available during the renovation can be found at ohs.org/libraryreno.

About the Oregon Historical Society: 

For more than a century, the Oregon Historical Society has served as the state’s collective memory, preserving a vast collection of artifacts, photographs, maps, manuscript materials, books, films, and oral histories. Our research library, museum, digital platforms & website (www.ohs.org), educational programming, and historical journal make Oregon’s history open and accessible to all. We exist because history is powerful and because a history as deep and rich as Oregon’s cannot be contained within a single story or point of view.