Portland, OR. Throughout the COVID-19 pandemic, the Union Gospel Mission (UGM) of Portland has successfully maintained the health of current residents while continuing to provide portable meal containers to the community safely via the front door.
The Union Gospel Mission set up a handwashing station outside its building
“We shut the inside services down and did safety protocols to keep all of the men inside COVID-free. And praise God, we haven’t had any infections inside,” reported Bill Russell, who has overseen operations of Portland’s UGM and Lifechange – an affiliated service – for over 30 years. The inside game room and evening services at the 3rd-Avenue location are typically staffed by the 30-50 men undergoing residential recovery from trauma or substance abuse.
Adapting services to meet health regulations still comes at a cost for UGM’s bottom line: connection. “It thins out what we do. Our whole philosophy of the program is to care for people in order to connect with people and coach them.” Russell explained. “It’s been harder to build trust with just the food program, to have the conversations and relational building that’s necessary to build trust…The very concept of wanting to get people to connect is really challenged when you have to maintain six feet of distance and wear a mask.”
Establishing this trust organically has always been a priority for UGM’s volunteer “Search and Rescue” team, who normally go out in the community to get to know residents at local camps like “Right 2 Dream”. A second team provides rides to medical and housing appointments the following day if they discover a need.
UGM’s Search & Rescue team distributes meals safely with social distancing
Russell noted, “A year ago we were moving one person a week out of homelessness into some kind of either program or shelter that led into housing, so there was a pretty good flow. This year, COVID has caused a real lockup on the available places to go. We’ve placed more women with kids out of camps, but single adults have been fairly stuck in place with COVID… It’s really been a game-changer.”
Russell predicts that the economic downturn will generate more need for affordable housing, adding, “We need many more allies.” Those interested can look online for volunteer opportunities or sign up to give monthly.
On June 9th, UGM reopened its thrift store for retail shopping and are accepting donations. Face coverings and social distancing are required to ensure the safety of guests and volunteers, and hand sanitizer is provided throughout the store. UGM has requested that clothing donations be sealed in plastic bags upon arrival.
From the Union Gospel Mission’s website:
FEEDING THE HUNGRY, RESTORING THE ADDICT AND LOVING OUR NEIGHBOR. SINCE 1927.
Union Gospel Mission provides more than 250,000 meals a year to the homeless and people in need. In addition to meals, the Mission provides food boxes, a day room with coffee and snacks, clothing, hygiene items, referral services and emergency cold weather shelter to the homeless.
Portland, OR. “Kids are at home, parents are home-schooling, and we believed we could help,” explains Norman Hunyh, the Associate Conductor of the Oregon Symphony. It was because of the dearth of summer activities for kids that Symphony Storytimewas born. In each episode of the new virtual series, a narrator reads a classic children’s book while members of the Oregon Symphony provide background music and sound effects. Assistant Principal Oboist Karen Wagner and host Amy Haroldson (seen in the photo above) tell the story of a “Top Cat” who doesn’t want to share his house and favorite things. (photo credit, Jacob Wade).
A lesson on the featured background instrument makes these 15-minute episodes both entertaining and educational. On June 25, the first episodes of Symphony Storytime were released. One was called “Mole Music,” and features the Cello. When Mole finally learns to play the violin, his music has an effect more magical than he will ever know. Written by David McPhail. Hosted by Amy Haroldson and featuring Marilyn de Oliveira, assistant principal cello.
Assistant Principal Oboist Karen Wagner and host Amy Haroldson perform for the Oregon Symphony’s new children’s program, Symphony Storytime (Jacob Wade).
Hunyhprovided the artistic vision for Symphony Storytime by setting educational objectives and establishing the flow of each piece, among other responsibilities. Hunyh described this project as “new and exciting territory”.
Assistant Principal Second Violinist Inés Voglar Belgique (Jacob Wade)
Assistant Principal Cellist Marilyn de Oliveira (Jacob Wade)
Each story was chosen because it meant something special to the musicians.
“I really like [Mole Music] because it talks about how music changes Mole’s life, and it also shows us how music can change the world around us,” says cellist Marilyn de Oliveira in the first episode.
Guitarist and vocalist Edna Vazquez and percussionist and host Sergio Carreno maintain social distance on set. Hunyh’s top priority was the health and safety of musicians and staff. (Jacob Wade)
Many participants in the project are native Spanish speakers, such as guitarist and vocalist Edna Vázquezwho performs in the Symphony Storytime episode “Necesito un Abrazo”, which helped inspire the creation of unique Spanish episodes. The Spanish episodes are not translations of the English episodes, rather their own stories, intended to support and engage the Latinx community.
Symphony Storytime’s first release included “Mole Music”, “Top Cat”, and “Goodnight Bob”in English featuring cello, oboe, and percussion, respectively.“Necesito un Abrazo” and “Ve, Perro. ¡Ve!”were released in Spanish, featuring guitar and violin. More episodes will be released on July 2 and July 9.
The power of music to unite and inspire is boundless. Music lifts us higher on our most joyful days, and draws us together in challenging times. As soon as it’s safe, we’ll be back – performing for you in our concert hall and reaching out to children and adults across our region.
Portland, OR. Community Energy Project Home Energy Score Assessor, Jackie Zusi-Russell maintains social distance while evaluating client’s homes, but she’s still working to determine their energy score. Community Energy Project (CEP) has been educating and aiding homeowners in the greater Portland area for over the past 40 years. In wake of the COVID-19 pandemic, CEP has been forced to adapt.
In-Home Auditor Geoff Fey works with a homeowner installing a water heater before quarantine began.
In-person home services are being provided, with a larger focus on exterior work to maintain social distancing. Heightened safety procedures require workers to wear gloves and masks with high enough quality to filter out asbestos. HEPA (High-Efficiency Particulate Air) vacuums are also used during interior services to help filter the air.
With more people stuck at home during quarantine, CEP is placing a larger focus on ventilation and filtration systems.
“Home is thought to be the first line of defense,” said Development Director Cameo Konfrst.
Programs are typically directed towards seniors and those with disabilities. Low-income homes are also able to apply for free supplies and services. As paid programs have taken a hit, however, it becomes more difficult for CEP to fund free programs.
Community Energy Project supports inclusivity, placing emphasis on serving a diverse community, according to their 2018-2019 Equity Report.
Konfrst urges people to invest more in local nonprofits such as CEP instead of national, stating that smaller, local nonprofits can adapt more easily to the unique situation of a given area.
As a result of the economic downturn and the COVID-19 pandemic, society is hurting worst at the bottom, and that is where CEP is focusing.
Workshops that were previously held in person have become virtual, but it is more difficult for CEP to reach their audience in comparison to other nonprofits. Low-income families do not all have the means to go digital. Workshops are being repeated at various times to help reach a wider audience. A calendar of events and registration are available on the CEP website.
From Community Energy Project:
By empowering people with information and tools and facilitating connections to resources, we can increase the capacity of our community to address many home, environmental, health, comfort, and safety issues while conserving natural resources.
Portland, OR. You can’t see kids shoulder to shoulder learning at the Hoyt Arboretum this summer, but there’s still lots to do. Although the Visitor Center is closed, the Hoyt Arboretum trails in Washington Park remain open from 5 A.M. to 10 P.M. every day. Online workshops replace the usual programs due to the COVID-19 pandemic.
Programs include Birding by Ear, Virtual Nature Journaling, and Exploration Wednesday.Birding programs have become the most popular, according to Anna Goldrich, Executive Director of Hoyt Arboretum Friends. Where the classroom in the Visitor Center could only host up to 15 people, around 50 have been logging on to the virtual birding program.
The youth program “TreeTime!” geared toward two to six-year-olds, has also moved online. The program schedule remains the same, taking place at 10 A.M on Mondays. Instead of walking through the park, however, the meeting takes place on Zoom.
Event calendars and sign-ups are located on the Hoyt Arboretum Website.Access to programming is payable on a sliding scale to accommodate those facing financial difficulties.
Volunteers trimming bamboo during a previous work party (Photo credit, Hoyt Arboretum)
The visitor center is currently closed to the public.
Memberships have recently increased in appreciation for Hoyt Arboretum’s virtual programs. Without the Visitors’ Center gift shop, wedding rentals, and field trips, Hoyt relies more heavily on members and donors. While funding sources diminish, expenses riseto maintain the park. In normal circumstances, approximately 2000 hours of volunteer work would have taken place between April and June. Hoyt must now divert funds toward landscape work and equipment.
From Hoyt Arboretum:
Portland’s museum of living trees, Hoyt Arboretum thrives thanks to a long-term partnership between Portland Parks & Recreation and the nonprofit Hoyt Arboretum Friends. With over 6,000 trees and 12 miles of trails free and open to the public year-round, the Arboretum is maintained by a dedicated community of volunteers and members. A beautiful destination for recreation, it’s also an important resource for education, research, and conservation.
Portland, OR. The Oregon Humane Society (OHS) honored heroic people and pets at the annual Diamond Collar Awards luncheon. The luncheon took place on February 20th at the Multnomah Athletic Club. Pets and people were recognized for their compassion, dedication, and resiliency. Organizers say the inspiring stories represent OHS’s mission of fostering an environment of respect, responsibility, and compassion for all animals. Pictured above is Kevvie the dog and Brian August. Kevvie was abandoned in the woods and suffering from gunshot wounds. OHS caretakers say this resilient dog took months to heal and trust again. Her gentle and forgiving nature allowed her to find her forever home with her new family.
Pictured above is Nancy Tonkin-Zoucha and friends
OHS Diamond Collar – Matt Zaffino and Sharon Harmon
“I am always so inspired by the OHS Diamond Collar Award honorees,” said Sharon Harmon, OHS President, and CEO. “Each of the recipients reminds us of the compassion and kindness in our community.” Harmon hosted the awards with KGW Chief Meteorologist Matt Zaffino.
OHS Diamond Collar – Ilene the kitten and Alanna Lundin
OHS Diamond Collar – George Piter and Squeak
Below are videos featuring the Diamond Collar Heroes:
George Piter: For 13 years, George and his trained therapy cats have dedicated time to visit Salem Hospital and brighten the days of patients and anyone else who may need it.
Ilene the kitten: A tiny but mighty kitten was born without eyes and discarded in the trash in Central California. After being transferred to the Oregon Humane Society for a special surgery, she went on to inspire a family and show the world that anyone can overcome their obstacles with love and determination.
Joyce Briggs de la Fuente: Thousands of cats and kittens were entering Oregon shelters every year. Under Joyce’s leadership, she brought together animal welfare leaders, innovative planning, extensive research and data that launched the Spay and Save Program which provides an easy and affordable option to prevent unwanted litters of kittens. With this new program, Portland is now the safest place for homeless felines.
Kevvie the dog: After being abandoned in the woods and suffering from gunshot wounds, this resilient dog took months to heal and trust again. Her gentle and forgiving nature allowed her to find her forever home with her new family.
More about the Oregon Humane Society:
OHS is the largest humane society in the Northwest and adopts more animals from its Portland shelter than any other single-facility shelter on the West Coast. OHS puts no time limits on how long animals remain at the shelter—a pet stays available for adoption for as long as needed to find a loving home. If a pet in the care of OHS needs medical attention, the OHS veterinary hospital provides the pet with the same level of care you would want your own pet to receive.
Founded in 1868 by noted humanitarian Thomas Lamb Eliot, OHS is the fourth-oldest humane society in the nation. Eliot initially established OHS to stop the neglect and abuse of draft animals. The mission expanded to include companion animals and, until 1933, orphaned children.
OHS finds homes for more than 11,000 pets each year. The OHS medical team provides free and low-cost spay and neuter surgeries for thousands of pets owned by low-income families OHS educators reach more than 12,000 youths and about 2,000 adults annually through humane education programs. The OHS Second Chance program brings more than 8,000 pets annually to OHS from other shelters around the region. In the state capitol, OHS is the driving force behind efforts to improve laws that protect animals and punish offenders.
Portland, OR. Music, dance, artistic freedom, censorship, and a 1920’s lesbian love story, collide with the looming threat of the Holocaust in an award-winning play now being staged by Artists Repertory Theatre. Indecent by Paula Vogel, is part of Artists Repertory Theatre on Tour (ART) season, which is taking place as the company’s theater is undergoing renovation. The play features Michael Mendelson (picture above) and is being produced with Profile Theatre; the production takes place at Portland State University. Indecent is described as a backstage drama filled with music and the history of Jewish theatre. (Photo credit, Kathleen Kelly)
Miriam Schwartz and Jamie M Rea
“Our need to tell our own stories is one of the most ancient needs we have,” says Artistic Director of Profile Theatre and director of the play, Josh Hecht. “It’s not just the telling that is important. It’s the witnessing. It’s the confirmation that comes from speaking our truths and having someone else say, “Yes, that’s me, too. Yes, I recognize that. We may be different, but in this way we are the same.”
“This original production of Vogel’s acclaimed, moving, and ultimately joyous play is a collaboration between Profile Theatre, Artists Repertory Theatre (ART), and Portland State University (PSU),” says Dámaso Rodríguez, Artistic Director of Artists Repertory Theatre. “This ambitiousness and scale of this project, which affords opportunities for PSU students to interact with and learn from some of our city’s most accomplished theatre artists, might have been out of reach for all of our companies had we not combined our resources to make it possible.”
Here’s a video about the production:
Indecent runs through March 8th, at Lincoln Hall, Portland State University, 1620 SW Park Ave. ART descriptions include the following: A boldly touching portrayal of the original theatrical company that presented Sholem Asch’s The God of Vengeance. The creator, Pulitzer-prize winning playwright Paula Vogel based scenes off of Asch’s play portraying the risk-taking group that brought the script to the stage.
Tickets are $60 regular price; $30 preview/student/under 35; $15 PSU student with ID. Special Discounts include Sliding Scale Sunday (tickets start at $10): applies to Sunday evening performances, 20for20: 20 tickets available at every performance for $20, Artists Rep participates in Arts for All and the Multnomah County Library’s Discovery Pass Program. Tickets at 503.241.1278 or www.artistsrep.org
Here’s a video about Artist Repertory Theatre:
More about Artists Repertory Theatre:
ARTISTS REPERTORY THEATRE’S mission is to produce intimate, provocative theatre and provide a home for a diverse community artists and audiences to take creative risks. Artists Rep gratefully acknowledges our theatre rests on the traditional lands of the Multnomah, Wasco, Cowlitz, Kathlamet, Clackamas, Bands of Chinook, Tualatin Kalapuya, Molalla and many other tribes who made their homes along the Columbia River. Artists Rep is Portland’s premiere mid-size regional theatre company and is led by Artistic Director Dámaso Rodríguez and Managing Director J.S. May. Founded in 1982, Artists Repertory Theatre is the longest-running professional theatre company in Portland. ART became the 72nd member of the League of Resident Theatres (LORT) in 2016 and is an Associate Member of the National New Play Network (NNPN). Artists Rep’s 2019/20 season can be found here.
Artists Rep has become a significant presence in American regional theatre with a legacy of world, national, and regional premieres of provocative new work with the highest standards of stagecraft. The organization is committed to local artists and features a company of Resident Artists and professionals of varied theatre disciplines, who are a driving force behind Artists Rep’s creative output and identity.
Portland, OR. The Northwest Film Center will showcase and celebrate its 43rd international and regional storytelling through film. The 10-day festival will take place on March 6-15, 2020 at various locations. Some goals of the Portland International Film Festival (PIFF) are, “to gather film lovers and makers, have people be open to new ways of creative expression, and shine a spotlight on artists who go against the status quo.” Disney Pixar’s Onward will have a free community screening at noon on February 7th. (More info below.)
A three-film opening night program on Friday, March 6th will feature an off-beat indie buddy film called The Climb. Below is a look at the film’s trailer:
Portland International Film Festival organizers hope that patrons will embrace the idea of Cinema Unbound for the first time. Through this concept, PIFF aims to challenge how cinematic stories are told. 2020 also features renowned visiting curators, esteemed guests, industry leaders, and jury members in attendance—all of whom represent major film festivals, museums, and distribution companies around the globe.
Here’s information about the festival from Northwest Film Center:
Ticket information listed below:
Advance Tickets: The Northwest Film Center, 934 SW Salmon St, Portland, OR 97205 Opens March 1 — daily from 12 noon – 6 p.m. Advance tickets by phone at (503) 276-4310
Festival Passes: Currently available for sale here
Members of the Northwest Film Center’s Silver Screen Club get discounts or free entry (at the Director level and above) to Festival screenings. To learn more about membership click here
Admission prices: $14 General; $12 Portland Art Museum Members, Students, Seniors; $10 children (12 years and younger); $9 Silver Screen Club Friends, Supporters, and New Wave.
Opening Night Film and Party: $25 general; $20 Silver Screen Friends, Supporters, and New Wave. PLEASE NOTE: Attendees can purchase tickets to Opening Night for either the Whitsell Auditorium or Cinema 21 location. Opening Night party to follow in the Portland Art Museum’s Fred & Suzanne Fields (Sunken) Ballroom.
Tickets to individual screenings will be available on February 7, 2020
FESTIVAL HIGHLIGHTS:
Thursday, March 5, 2020
The Eyeslicer Season Two by Dan Schoenbrun and Vanessa McDonnell
United States | 2019
7 p.m. | Whitsell Auditorium | 90 mins
11 a.m. – 8 p.m. | Northwest Film Center
11 a.m. – 8 p.m. | Movie Madness Miniplex
Recently featured in GQ’s Time Capsule for the 2010s, this bonkers-yet-thoughtful 13-episode TV show blends the boldest new American filmmaking into mind-expanding, mixtape-style episodes that feature work from over 70 filmmakers.
Three-film Opening Night program features The Climb, as well as shorts America and The Giverny Document (Single Channel). One ticket includes all screenings, which will screen back-to-back at both venues. Attendees are welcome to come to one, or stay for all three!
PIFF 43 Opening Night radically presents varying perspectives on what it means to be alive at this moment while reflecting on the past that’s shaped us. This multi-perspective Opening Night panorama dives deep into unexpected places, expounding upon notions of race, gender, time, and nowness. Funny, painful, powerful, and electric in equal measure, PIFF 43 Opening Night subverts the notion that any one film is worthy of “Opening Night” attention. Instead, we embrace the interplay between these three storytellers and their collaborators.
America Directed by Garrett Bradley
United States | 2019 | 29 mins.
A cinematic omnibus rooted in New Orleans, challenging the idea of black cinema as a “wave” or “movement in time,” proposing instead a continuous thread of achievement.
The Giverny Document (Single Channel) Directed by Ja’Tovia Gary
United States | 2019 | 45 mins.
Filmed on location in Harlem and in Monet’s historic gardens in Giverny, this multi-textured cinematic poem meditates on the bodily integrity and creative virtuosity of black women.
This buddy comedy starts with a simple premise—two lifelong pals struggle to bike up a French mountaintop—but what comes next is anyone’s guess. With incredible cinematic reinvention, ambitious long-takes, dramatic time-leaps, and a cappella interludes, the audience is invited along for the ride, no matter where it leads.
Saturday, March 7, 2020
Disney Pixar’s Onward Directed by Dan Scanlon
United States | 2020 | 91 mins.
12:00 noon – Whitsell Auditorium – Free Community Screening
5:00 p.m. – Hollywood Theatre – Silver Screen Club member presale until February 7, 2020.
Set in a suburban fantasy world, Disney and Pixar’s Onward introduces two teenage elf brothers (voices of Chris Pratt and Tom Holland) who embark on an extraordinary quest to discover if there is still a little magic left out there. Pixar Animation Studios’ all-new original feature film is directed by Dan Scanlon and produced by Kori Rae—the team behind Monsters University. Onward releases in theaters on March 6, 2020.
Trailer:
Sunday, March 8, 2020
Anthem: Homunculus Live Listening Party by John Cameron Mitchell
Time & Location: TBA
A creative, multi-media feast featuring a tangled story of visits to other planets, talking tumors, and song-filled telethons pitched to save the life of the protagonist, Ceann. This game-changing, audio-based story—performed LIVE—is based on Mitchell’s genre-busting podcast by the same name and defies all conventions and expectations, with audiences experiencing a wild, 6.5-hour extravaganza of over 30 songs ranging from indie-rock to dream pop to avant-garde.
Featuring the vocal talent of Glenn Close, Cynthia Erivo, Patti LuPone, Denis O’Hare, Mari Moriarty, Alan Mandell, Ben Foster and Shalewa Sharpe.
Creator and star John Cameron Mitchell and guests in attendance.
Presented by Luminary.
Thursday, March 12, 2020
The Armory Presents: Off-Center Stage
9 p.m. – 1 a.m.
Off-Center Stage is a series of late-night programming that will feature unconventional performances from musicians, visual artists, comedians, dance, and open-format shows for the 21-and-over crowd. Each show will take place on the stages and other communal spaces in the historic surroundings of The Armory.
PERFORMANCES AND PRESENTATIONS:
Reese Bowes — light/sound design and video projections
Auvie Sinclair — instrumental hip hop producer/beatmaker
Just Pretend — a live band featuring Darian Patrick, band member for Hedwig & The Angry Inch and In The Heights.
Disco Montana — live band fusing elements of pop, disco, country, and folk
Monday, March 9, 2020 | 7 p.m.
The Cinema Unbound Awards
Kridel Grand Ballroom, Portland Art Museum, 1119 SW Park Avenue
The Cinema Unbound Awards celebrates artists who are trying new things, thinking bigger, and pushing forward to transform filmmaking—and the world. We’ve assembled a small-but-mighty band of internationally renowned artists, creatives, and curators working against traditional constraints of cinema.
Honoring:
Astonishing Auteur Todd Haynes (Academy Award-nominated and Emmy-winning writer and director; Carol, Far from Heaven, Mildred Pierce)
Creative Powerhouse John Cameron Mitchell (Tony Award-winning writer, director, and actor; Hedwig & The Angry Inch, Anthem: Homunculus, Hulu’s Shrill)
Documentary Doyenne Julie Goldman (Academy Award-nominated and Emmy-winning producer of over 50 feature documentaries, including Life, Animated, Buck, Weiner)
Immersive Maestro Michel Reilhac (Filmmaker, Experiential Artist and Head of VR, Venice Biennale)
Animation Arts Wizard Rose Bond (Internationally-recognized, large-scale, site-specific animations)
Curatorial Mastermind Rajendra Roy (The Celeste Bartos Chief Curator of Film, MoMA)
PIFF 43 Closing Weekend centerpiece film First Cow
Directed by Kelly Reichardt
United States | 2020 | 121 mins
8:00 p.m. – Whitsell Auditorium
Returning to the Oregon wilderness for her seventh feature, Kelly Reichardt continues her examination of the American expansionist myth via the Western genre. John Magaro stars as a loner cook who teams up with a Chinese immigrant (Orion Lee) to create a new business—one that is dependent on a wealthy landowner’s prize milk cow, but without his knowledge. First Cow will open in Portland, Oregon, on Friday, March 20.
Trailer:
Saturday, March 14, 2020
The Personal History of David Copperfield
Directed by Armando Iannucci
United States | 2020 | 119 mins
6 p.m. – Cinema 21
The Personal History of David Copperfield re-imagines Charles Dickens’ classic ode to grit and perseverance through the comedic lens of its award-winning filmmakers—giving the Dickensian tale new life for a cosmopolitan age with a diverse ensemble cast of stage and screen actors from across the world. Emmy® winners and Oscar® nominees Armando Iannucci (In the Loop, The Death of Stalin, HBO’s Veep) and Simon Blackwell (In the Loop, HBO’s Succession) lend their wry yet heart-filled storytelling style to revisiting Dickens’ iconic hero on his quirky journey from impoverished orphan to a burgeoning writer in Victorian England.
Photo by Geoff Robinson Photography/Shutterstock
March 14-16, 2020
Berio’s Sinfonia by Rose Bond | IN PARTNERSHIP WITH OREGON SYMPHONY
Arlene Schnitzer Concert Hall
Animator and Cinema Unbound Award honoree Rose Bond presents a program of eye-popping experiential animation set to and illustrating Luciano Bario’s monumental musical-cultural portrait of New York in the late 1960s. An incredible visual and sound experience for cinema-goers, animators, experiential designers, and music lovers alike.
Tickets available to the March 14, 15 & 16 shows via Oregon Symphony.
PANELS AND WORKSHOPS
Over the course of the two weekends, PIFF will host eight panels, three workshops, and one special un-conference. PIFF will also host multi-day happy hour networking events with industry professionals to provide assistance and services to independent filmmakers. Date, Time and Location TBA.
Docs on the Rise — Cinema Unbound Award honoree Julie Goldman and Academy Award nominee and Portland documentary filmmaker Irene Taylor Brodsky discuss opportunities for expanded creativity in emerging marketplaces.
The Sustainability and Ethics Un-Conference — A participatory town hall about fostering an inclusive and ethically conscious media-making community, with breakout sessions on topics such as power dynamics on-set, setting contractual boundaries, and practicing empathy in production.
Beyond Cancel Culture — Cinema Unbound Award honoree Rajendra Roy and curatorial colleagues discuss approaches to critically engaging with problematic narratives.
Interactive Media Performance by Reese Bowes
An evening of multi-format audio and visual experiences courtesy of guest curator Reese Bowes. who will also present two short film works by Portland-based filmmakers: Remembrance, by Sabina Haque, and Spooky Girls, by The Hand and The Shadow production company.
Date, Time and Location TBA.
Why I Love and Fear VR
Presented by Guest Curator, Cinema Unbound Award honoree, and Head of Venice Biennale XR Michel Reilhac
Prince’s Purple Rain (1984) date, time and Location: TBA
About the Northwest Film Center:
The Northwest Film Center is a regional media arts organization offering a variety of exhibitions, education programs, and artist services throughout the region. The Center presents a program of foreign, classic, experimental, and independent works year-round at the Whitsell Auditorium, located in the Portland Art Museum. For more information, visit www.nwfilm.org.
About the Portland Art Museum
The seventh oldest museum in the United States, the Portland Art Museum is internationally recognized for its permanent collection and ambitious special exhibitions drawn from the Museum’s holdings and the world’s finest public and private collections. The Museum’s collection of more than 45,000 objects, displayed in 112,000 square feet of galleries, reflects the history of art from ancient times to today. The collection is distinguished for its holdings of arts of the native peoples of North America, English silver, and the graphic arts. An active collecting institution dedicated to preserving great art for the enrichment of future generations, the Museum devotes 90 percent of its galleries to its permanent collection.
The Museum’s campus of landmark buildings, a cornerstone of Portland’s cultural district, includes the Jubitz Center for Modern and Contemporary Art, the Gilkey Center for Graphic Arts, the Schnitzer Center for Northwest Art, the Northwest Film Center, and the Confederated Tribes of Grand Ronde Center for Native American Art. With a membership of more than 22,000 households and serving more than 350,000 visitors annually, the Museum is a premier venue for education in the visual arts. For information on exhibitions and programs, call 503-226-2811 or visit portlandartmuseum.org.
The Portland Art Museum welcomes all visitors and affirms its commitment to making its programs and collections accessible to everyone. The Museum offers a variety of programs and services to ensure a quality experience and a safe, inclusive environment for every member of our diverse community. Learn more at portlandartmuseum.org/access.
Portland, Or. The Architectural Heritage Center announced an important update on a project that leaders say will protect culturally significant and historic structures within Portland’s African-American community from demolition. The Architectural Heritage Center has completed a draft of the National Register of Historic Places Multiple Property Documentation (MPD) form. The MPD will be reviewed at local, state, and national levels in order to protect important landmarks that have had a large impact in communities within downtown Portland and surrounding areas. The MPD form is available for public review and the Architectural Heritage Center encourages readers to contribute with their comments. Pictured above is Royal Palm Hotel, one of Portland’s first facilities to employ and accept African-American guests, which is listed on the MPD form. (Photo credit, Intisar Abioto)
Architectural Heritage Center. Photo provided by AHC’s
Through a partnership between the Heritage Center and the City of Portland’s Bureau of Planning & Sustainability (BPS), the Multiple Property Documentation (MPD) form was created. This document is a National Register of Historic places that groups together resources associated with significant historical context so that property owners can easily list their property in the National Register.
The MPD includes a comprehensive list of different buildings and structures that were a part of the African-American community in Portland from 1865 to 1973. Some examples of the buildings are houses, churches, fraternal lodges, and more. Within the MPD record will also include photographs of selected African American properties commissioned from Portland artist, Intisar Abioto.
Golden West Hotel on NW Everett St., Portland Courtesy Oreg. Hist. Soc. Research Library
Previously known as the All Nations Community Church in the 1970s, this church is now known as Mt. Gillard Missionary Baptist Church on NE Rodney Ave
A message from the Architectural Heritage Center:
The over one-hundred page MPD draft is made possible thanks to the hard work of a team of people over the past three years. In 2017, the Bosco-Milligan Foundation/Architectural Heritage Center was selected through a request for proposals process by BPS to partner on the MPD. This work was led by Cathy Galbraith, our organization’s founding director and known expert on Portland’s African American history. Sadly, Cathy passed away in November 2018, with the study unfinished. However, with assistance from historical consultants and BPS staff—and with financial support from the Kinsman Foundation and from BPS—the MPD draft is now complete.
The Architectural Heritage Center’s mission is to “inspire people to conserve the art, craft, and context of historic buildings and places to promote our cultural heritage as a vital element of livable, sustainable, communities.” We seek to preserve the historic character and livability of our built environment and to promote sustainability through the re-use of period homes and buildings. Owned and operated by the non-profit Bosco-Milligan Foundation, we empower people in the Portland region to preserve both landmark buildings and the regular “vernacular” vintage homes and storefronts that collectively define our neighborhoods, traditional downtowns, culture, history, and quality of life.
Photo by Brian Johnson.
Preservation does not mean being frozen in time. New isn’t inherently “bad,” nor is old inherently “good.” But we believe a vintage building shouldn’t be demolished without careful consideration of its architectural, environmental, and cultural value, or without exploring possibilities for re-use. We also believe that in-fill construction should be compatible with the character, style, and scale of traditional neighborhoods.
Public Review The MPD and Billy Webb Elks Lodge (Williams Avenue YWCA) nominations are published here for public review As a next step, the Portland Historic Landmarks Commission will review the MPD at its meeting on January 27. They will make a formal recommendation to the State Advisory Committee on Historic Preservation, which will meet on February 28. The State Committee will then make a formal recommendation to the National Park Service to accept the MPD.
Portland, OR. Diverse communities came together for Q Center’s annual SHINE brunch on November 3rd at the Portland Marriott Downtown. The Q Center’s mission is to provide a space for togetherness, progress, and support people within the LGBTQ+ community. The annual SHINE brunch is meant to honor those who help the organization grow. There were 500 supporters in attendance and over $130,000 was raised. Pictured above, enjoying the photo booth, are state representatives Alissa Keny Guyer, Jennifer Williamson, and Margaret Doherty. (Photo credit, Marty Davis and Smirk Photobooth)
Bridges Voices Choir
Executive Director, Cameron Whitten
The Q Center’s values include bringing more safety, resilience, anti-oppression, learning, empowerment, inclusion and transparency into the world. The main purpose of the Q Center is to build community and host support and activity groups that are peer-led. Some examples of different types of groups include sexual orientation programs, gender identity programs, addiction & mental health support, help for veterans and more.
Board Treasurer, Erin Waters
Bill Dickey and John Salazar
From the Q Center:
Our Mission is to provide safe spaces, community building and empowerment for the positive transformation of LGBTQ2SIA+ communities and allies in the Pacific Northwest. As the largest LGBTQ+ community center in the Pacific Northwest, Q Center proudly serves the LGBTQ2SIA+ communities of Portland Metro and Southwest Washington. Our drop-in and event space on North Mississippi Avenue is a frequent first stop for new arrivals in Portland, and for longtime residents who are newly out or questioning their sexual or gender identity. Q Center also serves as an information hub for friends, partners, community, and family members of LGBTQ2SIA+ individuals. We pride ourselves on our collaborative approach and seek out ways to share resources with other nonprofits and public institutions locally and statewide.
Portland, OR. SEMpdx held its annual Rooftop Party in Portland’s Pearl District at the On Deck Sports Bar & Grill. It’s the eleventh year for the networking event. The SEMpdx Board of Directors took time for a photo. Leaders include: Ryan Campbell, Scott Hendison, Kevin Getch, Anna Madill (back row) Tony Svoboda, Trish Carey, Garrett Browne, Robert Frost, Todd Mintz, Sarah Hinds, and Ashley Kennedy. Every year, the nonprofit Search Engine Marketing Organization selects a charity to support and this year, it’s Girls Inc., an organization encouraging girls to be “strong, smart, and bold.” The benefits of becoming a SEMpdx Charity of Choice include: recognition at events, pro-bono digital marketing services, and up to a $5,000 donation.
During the Rooftop Party on August 1st, members try their hand at the giant Connect 4 game.
One of the founders of SEMpdx, Kent Lewis, talks with members. Lewis is also the President of Anvil Media.
SEMpdx was founded in 2006, because we felt that there was a lot of veteran talent here in PDX, but we weren’t really recognized for it because we were all so busy working that we weren’t self-promoting. We also knew that the business community in Portland was coming around to SEM, but didn’t really know about the level of talent here in PDX. This led to our rather simple mission “put search on the map in Portland, and Portland on the map in search”. In other words – to get PDX recognized in the national SEM community, and raise awareness for search marketing in PDX. We got the group together when Scott Orth & Blu Drobushevich approached me (Kent Lewis) after SMX Seattle in 2006 and suggested we create our own industry association in Portland. Initially, I (Ben Lloyd) was hesitant, and wasn’t sure we had critical mass in the area. That said, after a brief debate, we agreed to run it by folks we knew and trusted in the industry. A month or two later, we scheduled a meeting with a dozen or so local SEM professionals. Everyone at that meeting was on board (literally, everyone become an initial board member). I sold the initial sponsorship (Site9) that gave us the funding and moved SearchFest from IPN (Stan Davis & I created the initial events in 2005) to SEMpdx and we were on our way. Ben Lloyd helped us incorporate through his father’s firm and we started formalizing articles, bylaws, processes, mission, vision, and so on. Scott Hendison worked on the blog and website, Tracy Chapman started organizing, and Todd Mintz started blogging. The rest is history! There was a great deal of hard work & details by the board, which was critical and appreciated. The group then started putting on monthly educational events.
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