Portland, OR. “We are the Rose City! A History of Soccer in Portland.” That’s the focus of a new exhibit coming to the Oregon Historical Society (OHS) in late July. The Oregon Historical Society Museum will be reopening its doors to the public on Saturday, July 11th at 10:00 A.M. It has been closed since March 14th due to the Covid-19 pandemic. The Timber exhibit photo above features Mamadou “Futty” Danso, Jack Jewsbury and Steve Purdy celebrated a win following the Timbers first home game in the MLS era. (Photographer Craig Mitchelldyer, Courtesy of Portland Timbers.)
“We’re looking forward to reopening,” said OHS Executive Director Kerry Tymchuk. “We’ve got lots for people to see, and we’ll be following of course all the guidelines required by the state and the county as far as face coverings and social distancing.” Museum-goers will be able to check out OHS’s permanent exhibit, “Experience Oregon,” which debuted last year and chronicles “the good, the bad and the ugly,” of Oregon’s history, according to Tymchuk. Additionally, the new exhibit entitled, “Soccer in the Rose City,” will explore a full history of Portland’s soccer culture.
Capo Tina leads section 108 during a 2019 Portland Thorns game. (Courtesy of 107 Independent Supporters Trust.)
Over the past few months, OHS has been busy producing a weekly newsletter and keeping the community updated and informed through social media.
“We’ve been very proud of all the work and material we’ve been able to provide through our social media outlets,” Tymchuk said. “We’ve been putting out great material on the pandemic, such as the Spanish flu pandemic of 100 years ago and how it impacted Oregon and lessons learned and not learned. And then we were able over the past couple of weeks to put out just a phenomenal amount of material on racial justice and equity.”
Just before having to shut its doors on March 14th, the museum was getting ready to debut an exhibit entitled, “Nevertheless, They Persisted: Women’s Voting Rights and the 19th Amendment.” Museum-goers will still be able to check out the exhibit when OHS reopens. “[It’s] a phenomenal exhibit—artifacts and documents, chronicling the fight for equal rights for women and giving them the right to vote,” Tymchuk said. “We’re anxious to give that a showing to everybody.”
March in 1913 in support of women’s right to vote. Photo featured in OHS exhibit, “Nevertheless, They Persisted.”
Additionally, the OHS has a variety of virtual programs that can be found on the OHS website that will still be available after the museum reopens.
According to Tymchuk, due to good financial planning and the Multnomah County levy, which provides the museum with funding, the OHS has not had to make any mass lay-offs or budget cuts. “We’ve been very fortunate,” he said.
Tymchuk encourages anyone interested in supporting the OHS to visit the museum after it reopens, to make a tax-deductible donation, or to become OHS members. “A membership in OHS is a great deal, and we encourage people to become members—that way they get all the material that we put out,” he said. He also provided this reminder: “Here in Portland, because of the Multnomah County levy, all Multnomah County residents have free admission [to the museum].”
“We’ve been actively fulfilling our mission during this time,” Tymchuk said, referring to the pandemic’s effect on the OHS. “We certainly live in a time where people are becoming increasingly aware of the importance of history.”
OHS Executive Director Kerry Tymchuk and Oregon Governor Kate Brown in June 2013.
Following re-opening, public museum and store hours will be Wednesdays – Saturdays from 10 am – 5 pm and Sundays from 12 pm – 5 pm. The OHS Research Library remains closed for renovations that began in January 2020. More information on library services that are available during the renovation can be found at ohs.org/libraryreno.
About the Oregon Historical Society:
For more than a century, the Oregon Historical Society has served as the state’s collective memory, preserving a vast collection of artifacts, photographs, maps, manuscript materials, books, films, and oral histories. Our research library, museum, digital platforms & website (www.ohs.org), educational programming, and historical journal make Oregon’s history open and accessible to all. We exist because history is powerful and because a history as deep and rich as Oregon’s cannot be contained within a single story or point of view.
Portland, Or. The Architectural Heritage Center announced an important update on a project that leaders say will protect culturally significant and historic structures within Portland’s African-American community from demolition. The Architectural Heritage Center has completed a draft of the National Register of Historic Places Multiple Property Documentation (MPD) form. The MPD will be reviewed at local, state, and national levels in order to protect important landmarks that have had a large impact in communities within downtown Portland and surrounding areas. The MPD form is available for public review and the Architectural Heritage Center encourages readers to contribute with their comments. Pictured above is Royal Palm Hotel, one of Portland’s first facilities to employ and accept African-American guests, which is listed on the MPD form. (Photo credit, Intisar Abioto)
Architectural Heritage Center. Photo provided by AHC’s
Through a partnership between the Heritage Center and the City of Portland’s Bureau of Planning & Sustainability (BPS), the Multiple Property Documentation (MPD) form was created. This document is a National Register of Historic places that groups together resources associated with significant historical context so that property owners can easily list their property in the National Register.
The MPD includes a comprehensive list of different buildings and structures that were a part of the African-American community in Portland from 1865 to 1973. Some examples of the buildings are houses, churches, fraternal lodges, and more. Within the MPD record will also include photographs of selected African American properties commissioned from Portland artist, Intisar Abioto.
Golden West Hotel on NW Everett St., Portland Courtesy Oreg. Hist. Soc. Research Library
Previously known as the All Nations Community Church in the 1970s, this church is now known as Mt. Gillard Missionary Baptist Church on NE Rodney Ave
A message from the Architectural Heritage Center:
The over one-hundred page MPD draft is made possible thanks to the hard work of a team of people over the past three years. In 2017, the Bosco-Milligan Foundation/Architectural Heritage Center was selected through a request for proposals process by BPS to partner on the MPD. This work was led by Cathy Galbraith, our organization’s founding director and known expert on Portland’s African American history. Sadly, Cathy passed away in November 2018, with the study unfinished. However, with assistance from historical consultants and BPS staff—and with financial support from the Kinsman Foundation and from BPS—the MPD draft is now complete.
The Architectural Heritage Center’s mission is to “inspire people to conserve the art, craft, and context of historic buildings and places to promote our cultural heritage as a vital element of livable, sustainable, communities.” We seek to preserve the historic character and livability of our built environment and to promote sustainability through the re-use of period homes and buildings. Owned and operated by the non-profit Bosco-Milligan Foundation, we empower people in the Portland region to preserve both landmark buildings and the regular “vernacular” vintage homes and storefronts that collectively define our neighborhoods, traditional downtowns, culture, history, and quality of life.
Photo by Brian Johnson.
Preservation does not mean being frozen in time. New isn’t inherently “bad,” nor is old inherently “good.” But we believe a vintage building shouldn’t be demolished without careful consideration of its architectural, environmental, and cultural value, or without exploring possibilities for re-use. We also believe that in-fill construction should be compatible with the character, style, and scale of traditional neighborhoods.
Public Review The MPD and Billy Webb Elks Lodge (Williams Avenue YWCA) nominations are published here for public review As a next step, the Portland Historic Landmarks Commission will review the MPD at its meeting on January 27. They will make a formal recommendation to the State Advisory Committee on Historic Preservation, which will meet on February 28. The State Committee will then make a formal recommendation to the National Park Service to accept the MPD.
Portland, OR. Portland Center Stage at The Armory celebrated the World Premiere of a new play:Redwood.It stars Brittany K. Allen, a New York-based actor and writer. The play focuses on a young black woman’s relationship with her white boyfriend and how it’s thrown into turmoil when they discover her ancestors were enslaved by her boyfriend’s ancestors. Redwood also features a hip-hop dance chorus that helps explore a way to live in the present with the ghosts of the past. Pictured above at the November 1st’s opening night party are Brittany K. Allen, Hannah Rice, Orion Bradshaw, Ashley Mellinger, Darrell Grand Moultrie, Jamie Lynne Simons, and Andrea Vernae. (Photography by Kate Szrom/Courtesy of Portland Center Stage at The Armory.)
Brittany K. Allen and Nick Ferrucci at the opening night of Redwood.
Jamie Lynne Simons, Hannah Rice, Darrell Grand Moultrie, Orion Bradshaw, and Ashley Mellinger at the opening night of Redwood.
Jennifer Lanier and Tyrone Mitchell Henderson at the opening night of Redwood.
Eva Steingrueber-Fagan with Redwood costume designer Alison Heryer.
Nick Ferrucci and Darrell Grand Moultrie
Jenn Thompson, Lauren Modica, and Katie Nguyen at the opening night of Redwood.
Andrea Vernae, Ashley Mellinger, Orion Bradshaw, and Charles Grant at the opening night of Redwood.
Chip Miller, Marissa Wolf, and Darrell Grand Moultrie
Associate Producer Chip Miller made his directing debut at The Armory with his vibrant theatrical production. Darrell Grand Moultrie, who has choreographed for Beyoncé and Alvin Ailey American Dance Theater, also made his debut at The Armory choreographing Redwood.
Miller states, “How much of our identity is something we choose? And how much of it is tied to our genealogy – the traumas and joys of our ancestors being passed along to us through generations? Brittany is able to ask these challenging questions while maintaining a true sense of joy, surprise and theatricality continue to astound me. Plus, there’s dancing!”
Marissa Wolf and Chip Miller
A short video of Redwood:
From Portland Center Stage at The Armory:
Portland Center Stage at The Armory is the largest theater company in Portland and among the top 20 regional theaters in the country. Established in 1988 as a branch of the Oregon Shakespeare Festival, the company became independent in 1994 and is under the leadership of Artistic Director Marissa Wolf and Managing Director Cynthia Fuhrman. Around 160,000 visitors attend The Armory annually to enjoy a mix of classic, contemporary, and world premiere productions, along with a variety of high-quality education and community programs. Ten productions are offered this season, in addition to hundreds of community events created to serve the diverse populations in the city. As part of its dedication to new play development, the company has produced 27 world premieres and presents an annual new works festival, JAW: A Playwrights Festival. Home to two theaters, The Armory (originally built in 1891) opened its doors in 2006 as the first building on the National Register of Historic Places, and the first performing arts venue in the country, to achieve a LEED Platinum rating.
THE 2019-2020 SEASON
The 2019-2020 season is funded in part by Season Superstars Tim and Mary Boyle, Mary and Don Blair, and Lead Corporate Champion Umpqua Bank. Further support comes from Season Sponsors Advance Gender Equity in the Arts (AGE); the Regional Arts and Culture Council; and the Oregon Arts Commission, a state agency funded by the state of Oregon and the National Endowment for the Arts. Support for Redwood comes from Ronni Lacroute, Ellyn Bye, and Hilary Krane and Kelly Bulkeley. Here’s a link with more information: https://www.pcs.org/
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