Oregon Shakespeare Festival Announces Combined Digital and Live Season for 2021

Oregon Shakespeare Festival Announces Combined Digital and Live Season for 2021

Ashland, OR. The Oregon Shakespeare Festival (OSF) announced the Festival’s 2021 season; it’s an array of programming with digital and live productions. The combination of multi-format programming is evidence of OSF’s continued commitment to presenting world-class theatre on stage and its recent foray into digital programming, which introduces fans, supporters, and new audiences worldwide to the company’s artistry. (Above is a photo from OSF’s 2020 production of A Midsummer Night’s Dream. Photo: Jenny Graham.) Due to the ongoing COVID-19 pandemic and uncertainties associated with it, OSF will hold off announcing specific dates and ticket sales for onstage productions until there is more clarity around reopening, gathering, and social distancing guidelines. All onstage events are subject to change.

Here’s a video about the announcement:

The Oregon Shakespeare Festival is a nonprofit professional theatre founded in 1935 and located in Ashland.

The Oregon Shakespeare Festival 2000 production of Macbeth. Photo: David Cooper.

The 2021 season features classics and new works streaming from the OSF archives, new works presented on OSF’s digital platform, O!, and a Fall 2021 live season on OSF’s campus in Ashland, Oregon, extending into January for the first time with OSF’s first winter special. All live performances will be subject to health department guidelines and government restrictions on large gatherings.

“2020 marked a paradigm shift in which OSF was catapulted into different ways of creating and supporting artists and art-making. In launching our digital platform, O!, nearly a year ago, the initial goal was to provide an exploratory space to intersect theatre with other forms of media,” said Nataki Garrett, OSF artistic director. “Now joined together with a compelling schedule of Fall and Winter onstage programming, O! has evolved into a marquee fourth stage, where new and innovative projects will play alongside some of OSF’s most beloved and well-known productions.”

“I could not be more excited and honored in partnering with Nataki to introduce this extraordinary combination of digital and onstage programming as the OSF 2021 season,” said David Schmitz, OSF executive director. “This unique first-ever multiformat season reflects OSF’s commitment to innovation, agility, and progress throughout the most extraordinary global circumstances we are all facing. And we are eager to get back to creating live performances when the health authority and governmental restrictions allow us to do so.”

The 2021 digital on-demand streaming season includes a limited-run schedule of favorites from the OSF archives beginning with Julius Caesar by William Shakespeare, directed by Shana Cooper; Manahatta by Mary Kathryn Nagle, directed by Laurie Woolery; and Snow in Midsummer by Frances Ya-Chu Cowhig, based on the classical Chinese drama The Injustice to Dou Yi That Moved Heaven and Earth and directed by Justin Audibert. Tickets are now available for all three productions.  More streaming productions curated from OSF’s digital archives will be announced in the coming months.

“Along with our archival streaming shows, O! will continue to present exciting new programming—digital theatre, film, and immersive projects—throughout the year, bringing OSF’s celebrated artistry of OSF into homes around the world,” added Garrett.

OSF 2021 On Stage programming includes a repertory of four productions: August Wilson’s How I Learned What I Learned, featuring Steven Anthony Jones and directed by Tim Bond; the West Coast premiere of unseen by Mona Mansour, directed by Evren Odcikin; the American Revolutions world premiere of Confederates by Dominique Morisseau, directed by Nataki Garrett; and the season will culminate in OSF’s first winter special, It’s Christmas, Carol! by beloved OSF actors Mark Bedard, Brent Hinkley, and John Tufts.

Visit the season announcement for all of the show details.

OSF is known for its large-scale productions like this 2018 production of Romeo and Juliet directed by Dámaso Rodríguez. Emily Ota (Juliet) and William Thomas Hodgson (Romeo) joined a large cast in the timeless story of love as seen in the video below.

From OSF:

Our mission statement helps guide us in all of our endeavors here at OSF: Inspired by Shakespeare’s work and the cultural richness of the United States, we reveal our collective humanity through illuminating interpretations of new and classic plays, deepened by the kaleidoscope of rotating repertory.

A major theatre arts organization, OSF offers a diversity of plays as well as events and activities to enhance your overall experience.

The Oregon Shakespeare Festival is a not-for-profit professional theatre founded in 1935. Our eight-month season runs through the month of October, and we have three theatres: our two indoor stages—the Angus Bowmer Theatre and the Thomas Theatre—and our flagship outdoor Allen Elizabethan Theatre, which opens in early June and runs through mid-October. We offer up to 11 different plays that include works by Shakespeare as well as a mix of classics, musicals and world-premiere plays. When you visit you can see one or two plays or up to nine plays in one week!

 

Steppenwolf Executive Director David Schmitz to Lead Oregon Shakespeare Festival

Steppenwolf Executive Director David Schmitz to Lead Oregon Shakespeare Festival

Portland, OR. The Oregon Shakespeare Festival announced that David Schmitz will become its fourth executive director in fall 2020. Schmitz succeeds Cynthia Rider, who held the position from 2013 through 2018, and Paul Christy, who became acting executive director in January 2019 and has been leading the Festival’s transition throughout the executive search period. Schmitz has worked at Steppenwolf Theatre for the past 15 years, serving in the role of Director of Finance and Administration, General Manager, Managing Director, and currently as Executive Director.

He takes over at a critical time for the organization, which just canceled its 2020 season. Since suspending performances on March 12th, OSF teams have been working to plan and schedule a 2021 season. OSF is also currently running a $5 million dollar critical relief fundraising campaign, Dare to Dream.

As the executive director of OSF, Schmitz will provide shared leadership with Artistic Director Nataki Garrett, enhance the role of philanthropy in the organization’s success, support ongoing artistic and education programming and impact, while overseeing all administrative functions, including development, marketing, facilities, and operations.

“The OSF Board of Directors is enormously pleased that David Schmitz will join us in September as our new executive director,” said Diane Yu, OSF board chair and chairperson of the executive search committee. “He is a consummate professional who has impressive breadth and depth of experience in all phases of theatre management—from finance to marketing to development to operations to community relations to theatre building.”

“David’s reputation and  accomplishments working with theatre makers, artists, patrons, and partners in the arts, combined with an extraordinary sense for community building, precede him,” said Nataki Garrett, OSF artistic director. “I’m grateful for the breadth of experience he brings to OSF through a variety of pivotal leadership roles critical to ensuring the future of this organization for many years to come, including our current top priority to return transformative theatre to our stages in 2021.”

In the executive director role at Steppenwolf, Schmitz has led strategy and execution for all fundraising, marketing, and business-related activities. His work includes securing the necessary resources and institutional support for the world-famous ensemble to achieve their creative ambitions in the present and the future.

“I am thrilled to be named incoming executive director of the Oregon Shakespeare Festival and to begin this extraordinary partnership with Nataki Garrett, the OSF Board, its artists, staff, volunteers, and the entire community of Ashland, the Rogue Valley, and Southern Oregon,” said David Schmitz. “I’m equally inspired by the legacy and dedication of OSF’s audience, patrons, and supporters to become their partner at this unprecedented time in the world of live theatre.”

Schmitz’s stellar track record has won him widespread national acclaim for what he has accomplished at Steppenwolf. Under Schmitz’s leadership, Steppenwolf enjoyed significant growth in annual
fundraising, including a total increase in annual giving of 25% over his tenure as executive director, and forged significant partnerships with national foundations including the Wallace Foundation, Roy
Cockrum Foundation, and Doris Duke Charitable Foundation.

“David is well known for his strategic thinking and interpersonal and communication skills, and is committed to OSF’s core values, including inclusion and diversity,” added Yu.

Schmitz’s experience as an actor, designer, and director gives him a unique perspective into the artistic world and informs his approach to administration. During his tenure, Steppenwolf produced over 115 plays, which included the transfer of more than 20 productions to Broadway, regionally, and internationally, and was recognized as a Top Small Workplace by the Wall Street Journal. Schmitz is a founding member of Enrich Chicago (an organization working to end racism in the arts in Chicago) and was an initial participant in the Theatre Communications Group’s Equity, Diversity, and Inclusion Institute.

About OSF

Founded by Angus Bowmer in 1935, the Oregon Shakespeare Festival (OSF) has grown from a three day festival of two plays to a nationally renowned theatre arts organization that presents an eight-month season of up to 11 plays including works by Shakespeare as well as a mix of classics, musicals, and world-premiere plays and musicals. OSF’s play-commissioning programs, which include American Revolutions: the United States History Cycle, have generated works that have been produced on Broadway, internationally, and at regional, community, and high school theatres across the country. The Festival draws attendance of upwards of 400,000 to more than 800 performances annually and employs 400 to 600 theatre professionals.

OSF invites and welcomes everyone, and believes the inclusion of diverse people, ideas, cultures, and traditions enriches both our insights into the work we present onstage and our relationships with each other. OSF is committed to equity and diversity in all areas of our work and in our audiences.

OSF’s mission statement: “Inspired by Shakespeare’s work and the cultural richness of the United States, we reveal our collective humanity through illuminating interpretations of new and classic plays, deepened by the kaleidoscope of rotating repertory.”

Support for OSF during COVID-19

Canceling the 2020 season has very real financial consequences for OSF. Since suspending performances on March 12, OSF teams have been working to plan and schedule a 2021 season. All 2020 ticketholders are invited to donate tickets or consider a voucher for use in 2021. Ticket donations and vouchers represent an investment in the future of OSF, the communities of Ashland and the Rogue Valley, and the importance of art and storytelling in a post-pandemic world. OSF is also currently running a $5 million dollar critical relief fundraising campaign, Dare to Dream.

While OSF can’t currently receive visitors on the campus, they welcome patrons to visit O!, a new interactive and immersive digital platform that extends the artistry and creativity of OSF to patrons, supporters, fans, and virtual communities everywhere. O! will be the world’s connection to OSF’s work throughout the COVID-19 pandemic closure, and will continue delivering the transformative power of theatre into the future.

 

Oregon Shakespeare Festival Celebrates 80 Years of Excellence

Oregon Shakespeare Festival Celebrates 80 Years of Excellence

Ashland, July 2nd, 2015. Founded in 1935, the Tony Award-winning Oregon Shakespeare Festival (OSF) is among the oldest and largest professional non-profit theatres in the nation and this week, the organization turned 80!
With almost a dozen productions per season, the company is thriving. Summer nights will find Shakespeare’s Antony (Derrick Lee Weeden) and Cleopatra (Miriam A. Laube) under the stars on the Allen Elizabethan Theatre stage. (Photo credit, Jenny Graham.) It’s one of OSF’s many current offerings.

HEAD OVER HEELS with script by Jeff Whitty, music and lyrics by the Go-Go's, and orchestrations and arrangements by Carmel Dean Head Over Heels imagePhilanax (John Tufts) is intrigued about Pamela's (Bonnie Milligan) "vexedness." Photo: Jenny Graham.

HEAD OVER HEELS is one of the current productions, with script by Jeff Whitty and music and lyrics by the Go-Go’s.
In the photo, Head Over Heels’ Philanax (John Tufts) is intrigued about Pamela’s (Bonnie Milligan) “vexedness.” Photo: Jenny Graham.

the cast, crew, and creative team of #CountofMonteCristoOSF! We like the cut of your jib.

The Count of Monte Cristo is a tale of fate, treachery and the triumph of honor.

Let's now, with love—proceed!

As they say in Head Over Heels, “Let’s now, with love—proceed!”

Only three performances remain of #FingersmithOSF, and all but one are sold out! Get your tickets for June 30 before they're gone, and keep an eye on July 3 and 9, in case a few seats free up.

The Fingersmith will run through July 9th.  It’s a Victorian crime thriller and described as  a gritty 19th Century mystery.

The links below have more information about the current, 80th anniversary season. There’s also information about the 2016 season which will include, Hamlet .

Here’s information about the 2016 season:

The Oregon Shakespeare Festival (OSF) Artistic Director Bill Rauch announced the Oregon Shakespeare Festival’s 2016 playbill today. The 2016 season is sponsored by U.S. Bank.

Rauch said, “2016 marks the 400th anniversary of William Shakespeare’s death—the last major Shakespearean milestone many of us will experience in our lifetimes. In celebration of our core identity as a Shakespeare theatre, we are proud to be presenting five plays by our namesake author, one from each genre (comedy, tragedy, history and romance) plus our single most overdue Shakespeare title. With TIMON OF ATHENS next season, OSF will have produced the entire 37-play canon a staggering four times, and our current Canon in a Decade project means that we hope to have completed the canon a fifth time by 2024. As I anticipate all five Shakespeare plays in 2016, I am particularly excited about THE WINTER’S TALE in the Allen Elizabethan Theatre, seen through an Asian and Asian-American cultural lens.

“At the same time, our commitment to new work remains a vital part of the Oregon Shakespeare Festival in the 21st century. With world-premiere adaptations of Charles Dickens and Gilbert and Sullivan alongside a thrilling new American Revolutions drama and the premiere of a lyrical fable from a rising Latina playwright, we will continue to contribute to the American canon of new plays that will go on to be produced by theaters nationwide. Finally, our 2016 season includes an astonishingly fresh take on the Vietnam War from the perspective of Vietnamese refugees in the U.S., and a rare large-scale revival of the much-beloved musical THE WIZ.

“The 2016 season reaffirms our identity as a language-based, classical theater even as it continues to expand the boundaries of the types of artistic adventures that we will offer our ever-curious and passionate audiences.”

In addition, OSF is honored and delighted to host the fifth annual National Asian American Theater conference and Festival from Sept. 29-Oct. 9, 2016. The conference will be presented by the Consortium of Asian American Theaters and Artists (CAATA), and 200-300 Asian American and Pacific Islander theater makers will meet, share performance pieces and attend OSF productions. Rauch and Associate Artistic Director Christopher Acebo extend an invitation for everyone to join CAATA and OSF.

Angus Bowmer Theatre

The season will open with one of William Shakespeare’s most popular plays,TWELFTH NIGHT, directed by Christopher Liam Moore (LONG DAY’S JOURNEY INTO NIGHT, CAT ON A HOT TIN ROOF and others). Among the most produced plays at OSF—this will be the 17th production— TWELFTH NIGHT or WHAT YOU WILL also launched the Festival’s inaugural year in 1935. Moore will be setting this delightful tale of disguise and mistaken identities in 1930s Hollywood, the perfect location for an Illyria where all order seems turned on its head and WHAT YOU WILL is possible.

Running all season alongside TWELFTH NIGHT is a world-premiere adaptation of Charles Dickens’ GREAT EXPECTATIONS by Penny Metropulos and Linda Alper. Metropulos, a 20-year veteran with OSF and former Associate Artistic Director under Libby Appel, will also direct. Alper was a member of the OSF acting company for 24 seasons and co-adapted TRACY’S TIGER and THE THREE MUSKETEERS with Metropulos. The team has created a crackling, smart, funny and wonderfully true adaptation of Dickens’ story of the orphan Pip, who journeys from country boy to gentleman, learning difficult lessons about friendship, loyalty, generosity, forgiveness and love.

Also opening at the top of the season and playing through early July will be the world premiere of THE RIVER BRIDE by Marisela Treviño Orta and directed by Laurie Woolery (THE TENTH MUSE, THE LANGUAGE ARCHIVE). The play was developed within AlterTheater Ensemble’s (San Rafael, CA) inaugural playwright residency program and was the co-winner of the National Latino Playwriting Award. Inspired by a Brazilian folk tale, the play is set in a small village along the Amazon River. This lyrical story about two sisters is filled with atmosphere, mystery, love and regret.

In April, the world premiere of ROE by Lisa Loomer, directed by Bill Rauch, will open. This American Revolutions commission looks at the highly controversial 1973 Roe v. Wade case, and Loomer tells a riveting story of the compelling and fascinating individuals behind that legislative battle with humor, compassion and revelations that will surprise—even those who think they know the history. Loomer’s plays include THE WAITING ROOM, LIVING OUT, BOCÓN!, CAFÉ VIDA and DISTRACTED, which was produced at OSF in 2007.

The final show to open in the Bowmer is Shakespeare’s TIMON OF ATHENS. Amanda Dehnert, known for her groundbreaking productions at OSF (JULIUS CAESAR, ALL’S WELL THAT ENDS WELL, MY FAIR LADY, INTO THE WOODS), will direct. As Rauch noted, with this production OSF will have completed the canon four times. The play was last produced on the outdoor stage in 1997. This rarely staged tragedy might be called Shakespeare’s study of the idea that money can’t buy happiness. Timon is wealthy and generous, but his indiscriminate liberality and his unwillingness or inability to distinguish friend from flatterer becomes his undoing. From boom to bust, he falls out of favor, and alone, he withdraws from humanity.

Thomas Theatre

The first show to open in the Thomas Theatre and running the entire season will be a world-premiere adaptation of Gilbert and Sullivan’s THE YEOMEN OF THE GUARD, directed by Sean Graney, artistic director of The Hypocrites (Chicago). This humorous, pun-laden satire involving a wrongfully incarcerated man and set outside a prison takes audiences into a richer emotional world than the duo’s other comic operettas and is often cited as their attempt at Shakespearean character. Graney will adapt this piece for contemporary audiences with re-imagined orchestrations inspired by classic country and western music. Graney has directed more than 30 productions for The Hypocrites since he founded the theatre in 1997, including a number of wildly popular Gilbert and Sullivan adaptations. This YEOMAN will be a rousing musical event for the entire family.

Opening in March and running throughout the rest of the season is a new play,VIETGONE by Qui Nguyen. This fresh, youthful and humorous play looks at the Vietnam War from a Vietnamese perspective. VIETGONE is based on the true life story of the playwright’s parents’ exodus from Vietnam in 1975 and their subsequent meeting and romance in an Arkansas refugee camp. The play will be directed by May Adrales, who has collaborated on the project since it was commissioned as part of South Coast Repertory’s CrossRoads Initiative; Adrales will direct the world premiere production at SCR in the fall of 2015.

In July OSF will open RICHARD II, directed by Bill Rauch. Last produced in 2003 on the outdoor stage, this Shakespearean masterpiece of medieval intrigue is the first play in a series of four that chronicle the rise of the house of Lancaster (HENRY IV, PARTS I, II; HENRY V). Richard II is wasteful in his spending, unwise in his choice of counselors, surrounded by ambitious men and distant from his countrymen. When Richard departs to Ireland, Henry Bolingbroke assembles an army to invade the north, and by the time Richard returns, his previous allies have defected to Bolingbroke. Richard loses his crown and is imprisoned, and in contemplating his downfall, he discovers something more important than any kingdom.

Allen Elizabethan Theatre

HAMLET, arguably Shakespeare’s most popular play, will open the outdoor theatre in June. OSF’s most recent production was staged in the Angus Bowmer Theatre in 2010. This disturbing and psychologically rich masterpiece digs into the enigma of a man’s mind. Hamlet, Prince of Denmark, has been charged by the ghost of his dead father to avenge his death, and Hamlet, fixated on his uncle as murderer, strains under the weight of his task. This tragedy, a play from which an amazing number of Shakespeare’s words and phrases have entered common usage, is always a must-see. Director TBA.

It’s not all tragedy in the Allen Elizabethan Theatre. The 1974 super soul musicalTHE WIZ, with book by William F. Brown, music and lyrics by Charlie Smalls, from the story “The Wonderful Wizard of Oz” by L. Frank Baum, opens the following night and runs through mid-October. The Broadway production won seven Tony Awards, including Best Musical. Acclaimed director Robert O’Hara (NAACP Best Director Award, Helen Hayes Award, OBIE Award) will stage this exuberant production.

The third show to open outside is Shakespeare’s THE WINTER’S TALE, directed by Desdemona Chiang. Shakespeare’s beautiful romance about a glorious harvest of reunion and forgiveness will be looked at through an Asian and Asian-American cultural lens and set in Dynastic China and the American Old West. Chiang, a stage director based in Seattle and San Francisco, was previously at OSF in 2011 as a FAIR Assistant Dramaturg on MEASURE FOR MEASURE, and in 2013 as the Sir John Gielgud Directing Fellow and assistant director of KING LEAR.

The 2016 season will begin previews on February 19 and open the weekend of February 26. The opening performances in the Allen Elizabethan Theatre will be the weekend of June 17-19. The season will run through October 30. Tickets for the 2016 season will go on sale in November 2015 for members, and general sales will begin in early December.

2016 SEASON AT A GLANCE (preview performances to closing dates)

ANGUS BOWMER THEATRE

TWELFTH NIGHT by William Shakespeare
Directed by Christopher Liam Moore
February 19 – October 30

GREAT EXPECTATIONS Adapted by Penny Metropulos and Linda Alper
Based on the novel by Charles Dickens
Directed by Penny Metropulos
February 20 – October 30
World Premiere Adaptation

THE RIVER BRIDE by Marisela Treviño Orta
Directed by Laurie Woolery
February 21 – July 7
World Premiere

ROE by Lisa Loomer
Directed by Bill Rauch
April 20 – October 29
World Premiere/American Revolutions

TIMON OF ATHENS by William Shakespeare
Directed by Amanda Dehnert
July 27 – October 29

THOMAS THEATRE

THE YEOMEN OF THE GUARD Music by Arthur Sullivan; Libretto by W.S. Gilbert
Adapted by Sean Graney, Andra Velis Simon, Matt Kahler
Directed by Sean Graney
February 24 – October 30
World Premiere Adaptation

VIETGONE by Qui Nguyen
Directed by May Adrales
March 30– October 29

RICHARD II by William Shakespeare
Directed by Bill Rauch
July 5 – October 30

ALLEN ELIZABETHAN THEATRE

HAMLET by William Shakespeare
Director TBA
June 7 – October 14

THE WIZ Book by William F. Brown; Music and lyrics by Charlie Smalls
From the story “The Wonderful Wizard of Oz” by L. Frank Baum
Directed by Robert O’Hara
June 8 – October 15

THE WINTER’S TALE by William Shakespeare
Directed by Desdemona Chiang
June 9 – October 16