Portland Art Museum Has “New on View” Offerings, Including an Early Picasso

Portland Art Museum Has “New on View” Offerings, Including an Early Picasso

Portland, OR. The Portland Art Museum (PAM) has some new art on-loan to display this fall.  One notable offering is Pablo Picasso’s, Portrait of Lola, The Artist’s Sister. This painting (seen above) suggests how much the twenty-year-old artist rapidly assimilated and innovated upon the techniques of his predecessors and peers.

About the painting:

Maria Dolores Ruiz Picasso was called Lola by her family. Picasso drew and painted his younger sister many times while he was an adolescent and teenager. This work on loan captures Lola at seventeen years old in 1901, the year that marks the beginning of Picasso’s famous “blue period.” The portrait shares the somber mood and cool colors that characterize that first mature body of work, created over a brief, three-year period. It retains some of the realism that Picasso-the-student would have observed and admired in paintings at Madrid’s Prado Museum by Spanish court painters Diego Velazquez and El Greco. He merges this influence with the stylistic trends of Impressionist and Post-Impressionist artists that he would have seen on his first trip to Paris in 1900.

Another standout is an early painting by the German expressionist painter Max Beckmann, Die Barke (The Skiff) which is on view now at PAM.

Throughout his career, Beckmann painted the sea as a subject matter full of allusion and symbolism. The artist often drew from his own life experiences to create images conveying life’s triumphs and great tragedies. Die Barke (The Skiff, seen on the left) depicts a vivacious party rowing out on calm waters. 

In late 1925, Beckmann and his wife Quappi traveled from their home in Frankfurt, Germany to Italy for their honeymoon; the bright color palette and sensuous figures seem to reflect this time of love, promise and pleasure. The Skiff is hanging next to The Mill (1947), a fixture in the Mary Beth and Roger Burpee Gallery. The pair form a compelling contrast. In the 1940s during World War II, the Beckmanns fled to Amsterdam to escape the Nazi regime. In The Mill, the artist depicted people tied to a Dutch windmill and crowded into a cage with a dark green sea churning in the background, serving as a vivid reminder of the destruction and trauma of years just past.

Two very special works on loan are now on view in the Jubitz Center’s Schnitzer/Novack Gallery on the second floor: Morris Louis, Number 38 and Donald Judd, Untitled (DSS 25).

Both paintings date to 1962, and this unique opportunity offers insight into a significant year for each artist. Number 38 is Louis’s final “stripe” painting made in the last year of his life. It demonstrates his masterful control over the process of staining raw canvas with diluted paint. The Museum’s collection is rich in other color field painters, and visitors will see a range of works created with this process hanging near this piece. The Judd wall-mounted work is one of his earliest “specific objects,” a phrase he used to describe his works that were neither painting or sculpture, yet contained elements of both mediums. While Judd came to be regarded as the master of minimalism, this work reinforces his attention to the expressive qualities of industrial materials. The pairing shows how artists took different paths but still moved away from illusionism and the representational in art in the early 1960s, forging the experiments in stripped-down abstraction that characterize Modern art in mid-century America.

From Portland Art Museum:

Welcome, we are excited to see you. We have been thoughtfully planning for our reopening under the guidelines set forth by the Oregon Health Authority and Centers for Disease Control.  This planning has been a thorough process that considered many variables and included connecting with medical professionals, government officials, and peer institutions across the city and country.  We’ve studied our facilities and infrastructure to understand what’s possible in this time of social distancing and made changes to best serve our staff and public in the safest possible way. Our reopening plan includes a shared belief that each of us plays a role in a safe reopening. The Museum and our community are in this together.

WHAT TO KNOW BEFORE YOU VISIT

In the interest of personal safety and community health, visitors and staff are required to adhere to safety precautions while in the Museum. Thank you for helping our community stay safe and healthy. An inherent risk of exposure to Covid-19 exists in any public spaces where people are present. Covid-19 is extremely contagious.

  • New Hours: The Museum will be open Thursday through Sunday from 10 a.m. to 5 p.m. (10–11 a.m. Members only)
  • Face coverings required: Ages 2 and over.
  • Social distancing: Visitors must maintain 6 ft distance.
  • Advance ticket sales: Advance tickets are strongly encouraged; capacity is limited and it is possible that some times may fill up by the day of your visit.
  • Museum Grounds Café closed
  • Coat/bag check closed: Please leave larger bags and backpacks at home.
    Individuals experiencing disabilities will be allowed to keep their bags.
  • For your safety and the safety of the art, please do not touch.

If you have Disability Access Requests and are unable to reserve tickets online please contact us on our Disability Access line at (503) 276-4284 or via email at [email protected].

SAFETY PRECAUTIONS

We have taken the following precautions to ensure the safety of our visitors and staff.

  • Staff wellness checks conducted before shifts.
  • Hand sanitizer available for guests and staff.
  • Increased cleaning in high touch areas.
  • Plexiglas shields at admissions and shop checkout areas.
  • Designated routes to promote social distancing.

Help us protect our community!
Do you have a fever or cough, or are you experiencing any Covid-19 symptoms? Have you been exposed to anyone with these symptoms? ​If so, please join us at a later date.

 

Cinema Unbound Drive-In Settles in for Summer Run at Zidell Yards

Cinema Unbound Drive-In Settles in for Summer Run at Zidell Yards

Portland, OR. The “Cinema Unbound” Drive-In series at Zidell Yards kicked off this weekend with a screening of John Lewis: Good Trouble. The Drive-In experience is created by The Northwest Film Center and Portland Art Museum. It runs from August 6th – September 27th on Thursday, Friday, and Saturday nights. The opening weekend was sold out, but tickets are still available for upcoming screenings. Learn more and see the full slate of films by clicking here.

Dawn Porter’s new documentary John Lewis: Good Trouble was a hit with attendees.

Organizers say each night features a different film; Some push boundaries in a future-forward way and some take us back to our youth. Some films were made right here in the Northwest and the rest hail from New York and Hollywood.

The gates at Zidell Yards open at 8:30 pm. All movies start at dusk and are appropriate for children and adults. There’s also a regional short film before each feature film. Music is provided by X-Ray FM.

Attendees listen to the film’s audio through a car radio; sound is an in-car experience, over a limited FM transmission. All tickets and concessions are sold online, in advance only, through Northwest Film Center and Portland Art Museum’s websites. Tickets are $35 per car, $45 for Trucks, Vans and SUVs, and $55 for Premium Seating.

From Portland Art Museum:

All films are subject to change without notice. The Zidell Yards is located at 3030 S. Moody Ave, Portland, OR 97201 

For up-to-date event information regarding weather and the Drive-In at Zidell Yards, please visit the event’s website. Please assume the show is on unless otherwise noted.

For questions about tickets please contact the Ticket Tomato customer service team at 1-800-820-9884 or [email protected].

The Cinema Unbound Drive-In Theater Guidelines – Please Read Before You Arrive

Tickets on sale at nwfilm.org

 

Portland Art Museum Continues Virtual Offerings and Plans Reopening for July 16th

Portland Art Museum Continues Virtual Offerings and Plans Reopening for July 16th

Portland, OR. The Northwest Film Center and the Portland Art Museum (PAM) continue their virtual offerings like the YouTube viewing of the film Monsters and Men, (pictured above) directed by Reinaldo Marcus Green.

PAM leaders say they’re also creating a plan to reopen. For the past three months, the Portland Art Museum has been closed due to COVID-19. Now head of visitor services, Lisa Hoffman is announcing a plan to reopen. Beginning July 16th, the Museum will reopen some of its galleries and welcome a limited number of visitors. The popular Volcano! and Art and Race Matters exhibitions will now be extended through the end of the year. Exhibits that were slated for the summer and fall, including Frida Kahlo, Diego Rivera, and Mexican Modernism and Ansel Adams in Our Time, will open at later dates.

Over the summer, more galleries in the museum will be reopened as conditions allow.

The museum still has many virtual options in the meantime:

Here’s more information about The Northwest Film Center’s virtual screening of Monsters and Men, directed by Reinaldo Marcus Green. The film, Monsters and Men is screening for free on YouTube via NEON. Monsters and Men is an important cinematic attempt to reckon with one of the central challenges of our moment and it’s free.

Portland Art Museum:

The mission of the Portland Art Museum is to engage diverse communities through art and film of enduring quality, and to collect, preserve, and educate for the enrichment of present and future generations.

Portland Art Museum Places 80% of Staff on Unpaid Leave Status

Portland Art Museum Places 80% of Staff on Unpaid Leave Status

Portland, OR. Portland Art Museum and Northwest Film Center are taking action to shore up long term sustainability. Portland Art Museum Director Brian Ferriso released a statement explaining that in order to preserve staff wages and benefits for as long as possible, the Portland Art Museum and Northwest Film Center will place approximately 80 percent of staff (60 percent of full-time equivalents) on unpaid leave status, effective April 16th.

The move follows the closure of the Museum and Film Center to the public on March 14 in accordance with the community health order issued by Oregon Gov. Kate Brown to combat the spread of COVID-19. “I feel a great sense of responsibility to make sure our staff and institution are cared for as best we are able,” said Portland Art Museum Director Brian Ferriso.

Since the closure, the Museum and Film Center have incurred $1 million per month in payroll and other expenses, without offsetting revenue from admissions, rental event business, retail operations, and other channels.

After analyzing all options for managing through the crisis, leadership decided to place the majority of staff on unpaid leave status. This option allows employees to continue to be compensated by using their sick and vacation time. The Museum will also continue to provide health and dental benefits through June.

The institution has also submitted and is waiting for approval of an application for a Small Business Administration loan now available through the federal CARES Act and is continuing to explore other funding avenues.

During the closure, Director Brian Ferriso will take a pay cut along with some members of the Museum’s senior leadership team. “I know that the Portland Art Museum and Northwest Film Center matter deeply to our staff and community,” Ferriso said. “I remain hopeful that we will emerge soon to offer the connection and inspiration that our institution has provided for more than a century.”

During the closure, the Museum and Film Center will continue offering more digital experiences, through a variety of channels including virtual walkthroughs of current exhibitions, new ways of seeing and storytelling, daily art moments, podcasts, education resources, virtual meet ups and more.

More information is available on the Portland Art Museum website.

Portland Art Museum Offers Virtual Walk-Through of Mount St. Helens Exhibit

Portland Art Museum Offers Virtual Walk-Through of Mount St. Helens Exhibit

Portland, OR. The Portland Art Museum and Northwest Film Center are currently closed and staff members are working remotely. Administrators are committed to bringing art and film to supporters and they’re offering links and resources to keep people engaged. There are many free online opportunities for enrichment.

On the Museum’s YouTube channel, there’s a virtual walk-through of “Volcano! Mount St. Helens in Art” with curator Dawson Carr.

When the museum is open, the USGS footage below runs on a loop.

Curators also encourage art lovers to start exploring Online Collections.

You can Learn about art conservation, or listen to conversations with guest curators, artist and more.

The Northwest Film Center also has many online options:

The Climb directed by Michael Angelo Covino, United States, 2020 was a Northwest Film Center favorite. 

Available resources for the Film Center include:

There are learning opportunities for homebound kids: Check out the Poster Project, a series of teaching resources featuring 30 artworks from across the Museum’s collection, each including information about the artist as well as activities created by educators.

Stay tuned for more online resources and upcoming programs.

The Portland Art Museum & Northwest Film Center reached out to supporters with this message:

You are some of our most dedicated, engaged, and enthusiastic supporters. We want you to know that your generosity does not go unnoticed and that we are mindful of the impact our closure has on your experience. Many of you have already donated back your admission tickets or renewed your membership. We are extremely grateful to our community as these gifts ensure the longevity and health of the Museum and Film Center during this difficult time.

We also want to reassure members of both the Portland Art Museum and Northwest Film Center that we will be offering extensions on expiration dates to make sure that you don’t lose any time with us while we are closed. This change will be made electronically so that once we reopen your extension will be reflected at the admissions desk or box office. More details will be communicated soon, but in the meantime, stay safe.

The truth is, arts organizations—and artists—across our city and state need your support now more than ever. With your help, the Museum and Film Center will play a role in our community’s healing and restoration.