Portland, OR. The Portland Art Museum is getting ready to present Rodin: The Human Experience—Selections from the Iris and B. Gerald Cantor Collections. The exhibition of 52 bronzes by the groundbreaking French sculptor Auguste Rodin opens January 21st and runs through April 16th. It is being staged in Portland to commemorate the 100th anniversary of the artist’s death.
One of the greatest artists of his time, Auguste Rodin (1840-1917) revolutionized the art of sculpture. While his works always remained faithful to nature, he departed from traditional practice in seeking to reveal the creative process. This exhibition of bronzes will demonstrate Rodin’s particular passion for modeling the human form in clay, the medium in which his hand and mind are most directly evidenced.
Auguste Rodin (French, 1840–1917), Fallen Caryatid with Urn, modeled 1883.
Gustav Mahler, 1909, Bronze.
The selected bronzes in the show represent the major achievements of Rodin’s long career. They include powerful studies for The Burghers of Calais, as well as works derived from his masterpiece, The Gates of Hell. Others, such as The Night (Double Figure), demonstrate his experimentation with assemblage. Rodin: The Human Experience also features sculptures, such as Monumental Torso of the Walking Man, which demonstrate Rodin’s admiration for Michelangelo, and Dance Movement D, which speaks to his interest in understanding how the body moved.
The exhibition is especially rich in portraiture. Included are Rodin’s famous depictions of the writers Victor Hugo and Honoré de Balzac; the composer Gustav Mahler; the artist Claude Lorraine; one of his favorite dancers, Hanako; and his portrayal of The Hand of God, which is likely a self-portrait.
Rodin’s ability to use bronze to represent living flesh and his interest in expressing extreme psychological states were highly influential upon younger artists, both in Europe and America. Rodin: The Human Experience reveals why the artist is considered the crucial link between traditional and modern sculpture.
The Museum will present a variety of public programs and tours in conjunction with the exhibition, including an opening lecture by exhibition curator Judith Sobol, Executive Director of the Iris & B. Gerald Cantor Foundation.
This exhibition has been organized and made possible by the Iris & B. Gerald Cantor Foundation. Host curated by Dawson Carr, Ph.D., The Janet and Richard Geary Curator of European Art.
SPONSORS:
LEAD SPONSORS: Laura S. Meier, Andrée H. Stevens; MAJOR SPONSORS: Walter Clay Hill and Family Foundation, Ameriprise Financial and Columbia Threadneedle, Clark Foundation, Exhibition Series Sponsors; SPONSORS: Richard and Janet Geary Foundation, Robert Lehman Foundation, CHEHALEM; SUPPORTERS: The Jackson Foundation, Ann Flowerree, Willa M. Kemp, Lisa and Shawn Mangum, Shirley N. Papé, Judith Wyss, The Holzman Foundation; EDUCATION SUPPORTERS: Elizabeth Lilley, Mr. and Mrs. David Willmott.
Portland, OR. The Portland Art Museum announced an expansion that will unify its campus by connecting the Museum’s freestanding buildings. The expansion is the culmination of a 20-year partnership with the children of Mark Rothko: Christopher Rothko, and Kate Rothko Prizel. The partnership includes the loan to the Museum of major paintings by Mark Rothko from their private collection; paintings will be loaned individually in rotation over the course of the next two decades. Mark Rothko, who lived from 1903 to 1970, was an American painter of Russian descent and is generally identified as an abstract expressionist. With Jackson Pollock and Willem de Kooning, he is one of the most famous postwar American artists. The expansion at the Portland Art Museum will feature a new glass-walled building, to be named the Rothko Pavilion, in recognition of the artist’s legacy in Portland—his home as a youth after immigrating from Latvia—and the Museum, where he took art classes as a teenager and where he received his first solo exhibition. The naming was made possible thanks to the $8 million lead gift from a donor who wished to remain anonymous so the pavilion could be named in Mark Rothko’s honor.
View of the east entrance plaza. Courtesy of Vinci Hamp Architects.
The expansion project will link the Museum to the surrounding Cultural District with a new central entrance flanked by greenery and sculpture that opens onto the South Park Blocks. The project will make the Museum more publicly accessible, while knitting the campus together with the surrounding neighborhood and reducing the Museum’s carbon footprint. Groundbreaking is scheduled to take place in 2018, with an expected completion date for the project in late 2020 or early 2021. The Museum is launching the public phase of a $75-million capital and endowment campaign to fund the project. To date, $21.75 million (43 percent) of the $50-million capital goal has been raised, and $5.4 million has been raised towards the $25-million endowment goal.
View of the community commons. Courtesy of Vinci Hamp Architects.
“The partnership with the Rothko family is a homecoming of sorts, enabling us to share with the public major works from the family’s private collection, offer new insight into Rothko’s practice, and honor his legacy in the Pacific Northwest and the international arts community,” said Brian Ferriso, The Marilyn H. and Dr. Robert B. Pamplin Jr. Director and Chief Curator. “We are deeply appreciative of Christopher and Kate’s extraordinary generosity in sharing these works with the people of Portland, the state of Oregon, and visitors to our city. Our plans for the Rothko Pavilion bring together the elements of the Portland Art Museum’s mission: to present exceptional works of art, develop exhibitions that take new perspectives on human creativity, and increase public accessibility and inclusion.”
Mark Rothko (2012), Portland Art Museum.
“Our family is thrilled to enter into this partnership with the Museum,” said Christopher Rothko. “Portland played a formative role in my father’s youth, and we are eager to share these works with the public and give Rothko a more active role in the vibrant cultural life of this city. Our hope is that visitors will take the time to pause and engage with each of these paintings, and to participate in the process of ‘slow looking’ that the Museum has championed.”
Designed by Chicago-based Vinci Hamp Architects, the three-story Rothko Pavilion will add roughly 30,000 square feet of space to the Museum and will be anchored by a glass-walled stair tower that will connect the Pavilion to the Museum’s Main Building. In addition to the Community Commons, the Pavilion will feature 9,840 square feet of new gallery space, including space for contemporary and media art, as well as a new Education and Design Lab, and new space for the Museum’s library. The project will also create a third-floor sculpture garden that will provide visitors the chance to step outside and enjoy the Museum’s natural surroundings; the rooftop deck will also serve as a space for public programming and events. The paintings loaned by Christopher and Kate Rothko Prizel will be installed in light-controlled galleries adjacent to the new Rothko Pavilion.
“As we look forward to the next 125 years, we look to strengthen our connection between the Museum and the public it serves,” said Janet Geary, Chairman of the Portland Art Museum Board of Trustees. “Our campaign will connect building to building, the Museum to the community, people to art and to each other.”
Architect Vinci Hamp’s previous work includes projects for the Art Institute of Chicago, the Norton Museum of Art in West Palm Beach, the Cooper Hewitt Smithsonian Design Museum and the Neue Galerie in New York, the Milwaukee Art Museum, and the Oriental Institute, Smart Museum of Art, and The Arts Club in Chicago, among others. Also known for their historic preservation work, Vinci Hamp has completed award-winning projects that include the Illinois State Capitol, Chicago Tribune Tower, and Frank Lloyd Wright’s Home and Studio.
The Portland Art Museum has mounted exhibitions by a diverse roster of artists since the time of its founding. In 1913, the Museum brought works from the famous New York Armory Show to Portland, helping to introduce West Coast audiences to Modernism. In 1933 the Museum organized the first solo exhibition of works by the 29-year-old artist Marcus Rothkowitz, later to be known as Mark Rothko.
From the Portland Art Museum:
The mission of the Portland Art Museum is to engage diverse communities through art and film of enduring quality, and to collect, preserve, and educate for the enrichment of present and future generations.
Portland, July 29th, 2015. The Portland Art Museum’s Patron Society members celebrated summer and the current Gods and Heroes exhibition under clear, warm skies. The courtyard of the museum was filled with good cheer and the sounds of Portland band, Boy and Bean. Members of the Patron Society, like David Lokting and Alysia Duckler, are the Museum’s most generous annual donors. Their donations help more than 300,000 visitors expand their minds through the power of art.
Portland Art Museum Patron Society Member, Jim Mark
Luke Short of Boy and Bean
John Goodwin and Keith Martin
Portland Art Museum Executive Director, Brian Ferriso.
Did you know….
The oldest art museum in the Pacific Northwest, the Portland Art Museum was founded in late 1892 when seven leaders from Portland’s business and cultural institutions created the Portland Art Association. The goal of the Association was to create a first-class art museum that would be accessible to all citizens.
The Museum purchased its first collection, approximately one hundred plaster casts of Greek and Roman sculptures, with a gift of $10,000 from prominent local citizen Henry Corbett. Two other local citizens, Winslow B. Ayer and his wife, selected the casts during a trip to Europe after receiving advice from professionals at the Metropolitan Museum of Art in New York and the Museum of Fine Arts in Boston.
The mission of the Portland Art Museum is to engage diverse communities through art and film of enduring quality, and to collect, preserve, and educate for the enrichment of present and future generations.
The Portland Art Museum believes that the experience of original works of art enriches and changes people’s lives. Art inspires new ways of understanding the present and our place in the world. By providing a welcoming environment for the public to look, talk, and reflect on works of visual and media art, the Museum deepens our collective understanding of humanity, builds community, and contributes to a thriving civic life. The following core values guide the Portland Art Museum:
Creativity
The arts are at the core of our humanity, representing a timeless human impulse.
Connection
The arts touch us and connect us across time, geography, and cultural differences, shedding light on how humans interact with their world.
Learning
The arts open us to diverse ideas and ways of knowing ourselves, our community, and our world.
Accessibility
The arts must be economically, intellectually, and physically accessible to everyone.
Accountability
Transparency and careful stewardship of resources—including collections, staff, facilities, and investments – are essential for mission fulfillment now and in the future.
The Portland Art Museum is the leading cultural institution in the state and region. Its hallmarks are innovation, excellence, and engaged community partnerships. The Museum presents a relevant and dynamic program originating from its collections and Film Center. With historically preserved and newly designed architectural space of the highest quality, the Museum invites, inspires, and fosters contemplation and discussion. As a beacon for culture and education for our growing and evolving community, the Museum is known for its exceptional trustees, staff, programs, collections, and visitor amenities.
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