Local Arts Organizations are Gearing up for Fall

Local Arts Organizations are Gearing up for Fall

“The art form of opera has always been shaped by time, and we are excited to be part of its evolution,” shares Sue Dixon, General Director. “This season, we are thrilled to usher in new works, continue to share cultural touchstones, and share opera experiences on and off the stage, bringing our mission, vision, and values to life.”

And the Portland Opera isn’t the only arts organization gearing up. This fall promises to be an exciting season for arts enthusiasts, with a wide range of events and experiences to enjoy. Here’s a sneak peek at what’s in store from some of the city’s most prominent nonprofit arts organizations:

Oregon Symphony:
Oregon Symphony’s new season is getting underway. Featuring world-class musicians and a repertoire spanning classical to contemporary, this is a musical event not to be missed. Keep an eye out for special guest soloists and conductors throughout the season. First up: SEPTEMBER 30–OCTOBER 2, 2023 Mahler’s First Symphony.

Oregon Ballet Theatre:
Here’s a video about the Oregon Ballet Theatre’s upcoming season.

Portland Center Stage has a production of HAIR, September 30 – November 5, 2023

“Let the sunshine in! With an iconic score that changed pop culture forever, HAIR is as relevant today as it was when it radicalized a generation in 1968. This revolutionary rock musical tells the story of a group of counter-culturalists whose worlds are shaken when one of them receives his draft notice for the Vietnam War. Exploring ideas of identity, free love, community, global responsibility, and peace, HAIR reminds us that history is never far away — and that our collective voice is a powerful tool for change.”

Be sure to check each organization’s website for specific dates, ticket information, and any COVID-19 safety protocols that may be in place. Don’t miss your chance to be a part of Portland’s thriving arts community this autumn!

More about the Portland Opera’s season from the Opera:

Mozart’s comic masterpiece, The Marriage of Figaro, kicks off the season. Set in 18th-century Seville, the adventures of Figaro and Susanna unfold with wit and delight in this satire about nobility and power. Although written over 230 years ago, this empathetic comedy is an enduring example of Mozart’s sublime music, layered with a narrative that reflects on today’s society, too. The Marriage of Figaro will be performed at Keller Auditorium on October 28, November 3, and November 5 (matinee), 2023. The performances will be sung in Italian with English captions.

 

Next, the company will share an evening of music, song, and poetry entitled Enchanted Woods: Shakespeare & Song. Celebrating the anniversary of Shakespeare’s first folio, audience members enter Shakespeare’s woods: a literary place of transformation, love, and magic—with a program inspired by 20th century adaptations of his works. This production is curated in partnership with “Shakespeare’s First Folio: 1623–2023”, a public humanities project at Portland State University in collaboration with other regional arts organizations recognizing and celebrating Shakespeare’s legacy. This unique experience will include a “picnic” of feasting and libations, with cabaret-style seating. Enchanted Woods: Shakespeare & Song will take place at the Gregory K. and Mary Chomenko Hinckley Studio Theatre at the Hampton Opera Center on February 2, 3, 4m, 9, 10, and 11m, 2024. The performances will be sung in English with English captions.

Continuing the season, Portland Opera will present The Snowy Day, an opera in one act based on the beloved children’s book by Ezra Jack Keats. This heartwarming opera, with music by Joel Thompson and libretto by Andrea Davis Pinkney, follows the adventures of young Peter as he explores his snowy neighborhood, encountering new friends and unexpected wonders along the way. The Snowy Day is a perfect introduction to opera for young people, and a bittersweet reminder for audiences of all ages about impermanence and the wonders of youth. First premiered at Houston Grand Opera in 2021, Portland Opera’s production of The Snowy Day will mark the West Coast premiere, and the second production of this opera—continuing the company’s commitment to staging and supporting new works. The Snowy Day will take place at the Newmark Theatre on March 16, 22, and 24m, 2024. The performances will be sung in English with English captions. The matinee on March 24th will be family-friendly, a new way of welcoming the next generation of opera lovers to experience the beauty and joy of opera.

Finally, to mark the centennial of Giacomo Puccini’s passing, Portland Opera will close the 2023/24 season with Puccini: In Concert. Puccini’s works are arguably some of the most popular in opera, with more than 500 productions of La Bohème being performed around the world each year. This one-night-only concert will feature the enduring compositions from La Bohème, Madama Butterfly, Turandot, and Tosca on May 11, 2024, at Keller Auditorium. The performances will be sung in Italian with English captions.

In addition to mainstage programming, the 23/24 season will see continued progress toward the company’s strategic goal of curating collaborations or commissions that harness the creativity and spirit that is unique to this place. In the spring of 2024, Portland Opera will workshop the company’s commission of a new opera, Jubilee, by composer Damien Geter (Portland Opera’s interim Music Director and co-Artistic Advisor) and Librettist Lorene Cary. Connecting the heroic story of the original Fisk University Jubilee Singers with their current Grammy-winning descendants, Jubilee investigates Black legacy, love, death, trauma, and joy. Jubilee will be written for 8 operatic soloists and a 15-piece orchestra and will premiere in March 2026. In the coming weeks, the company will also announce a series of additional projects in development—including information about the next installment in its multi-year commitment to commission new operas about unsung Oregonian heroes for the Portland Opera to Go educational touring program, and special artist-curated public programming in addition to the mainstage subscription season. During the 23/24 season Portland Opera will also collaborate with the creative team of The Factotum, from Lyric Opera of Chicago, to support the development of this excellent and exciting new opera for a future season; as well as continue supporting the development of a new production based on Stephen King’s The Shining. Additional details about these exciting projects are forthcoming.

While new works remain in development, in fall of 2023 the company’s Portland Opera to Go educational division will present a 50-minute adaptation of Rossini’s La Cenerentola for communities throughout the region. Full of whimsy, comedy, and delight, Cinderella is the perfect first opera for kids and adults alike. This lively adaptation of Cinderella is ideal for elementary school students, with modular scenery and age-appropriate staging that focuses on multicultural and international versions of the Cinderella story. In addition to the performance, Portland Opera to Go offers an arts integrated curriculum and classroom visits.

Portland Opera will continue to share opera for free in unexpected places, with Opera a la Cart— Portland Opera’s award-winning mobile performance venue. The cart will be found around town in community gathering places throughout the summer months, at farmers’ markets, city parks, neighborhood festivals, street fairs, wineries and other public events through the Portland metro area and region.

After scaling down and adjusting the Portland Opera Resident Artist program during the pandemic, the company is delighted to welcome a new class of Portland Opera Resident Artists for the season, extending the program back to its 8-month cycle. The incoming roster of artists will be announced soon and will also include the new position of Resident Artist Collaborative Pianist. Portland Opera is grateful to supporters of the Resident Artist program, Community Foundation for Southwest Washington, James Cox and Brenda Nuckton, Eleanor Lieber Auditions Fund of The Oregon Community Foundation, Drs. Fernando and Dolores Leon, George Rowbottom, Drew and Sue Snyder, The Monday Musical Club of Portland, and Carol Turtle, for helping the company support this mission critical program during the ramp out of COVID impacts.

In addition to resident artist program, in 2021, Portland Opera piloted a new program to move the art form forward by providing career advancement opportunities for individuals who have been historically underrepresented in the world of opera, in both administrative and artistic roles. The 2023 Fellowship announcement is forthcoming, along with opportunities for community partnerships and free public performances.

Portland Opera continues a company-wide transformation for strategic growth and fiscal sustainability in the context of COVID interruptions and financial challenges. As a result, this year’s programming represents a smaller season that aligns with the company’s values as fiscally responsible stewards of Portland Opera and its future. To learn more about mission, vision, values, cultural equity, inclusion, diversity, or strategic planning progress, please visit portlandopera.org.

 

Portland Opera 2023/24 Season Casting

 

The Marriage of Figaro 

October 28, November 3, 5m, 2023

Keller Auditorium, 222 SW Clay

Sung in Italian with English captions

The performance is approximately 3 hours, performed with one intermission.

 

Composer Wolfgang Amadeus Mozart
Librettists Lorenzo Da Ponte
Count Richard Ollarsaba
Countess Esther Tonea
Figaro Jesús Vicente Murillo
Susanna Leela Subramaniam
Cherubino Deepa Johnny
Doctor Bartolo Matthew Burns
Marcellina Tesia Kwarteng
Also featuring the Portland Opera Resident Artists
Conductor Elizabeth Askren
Director Fenlon Lamb
Scenic Designer Cameron Poreous
Costume Designer Christine Richardson
Lighting Designer Connie Yun

The adventures of Figaro and Susanna unfold with wit and delight in this satire about nobility and power. Count Almaviva is determined to woo Susanna, who is engaged to Figaro—a servant in the household. The betrothed will do whatever it takes to navigate the Count’s advances; and the Countess—fed up with her husband’s infidelities—joins in the chaos, too. This empathetic comedy of twists and turns features sublime musical moments, a healthy dose of irreverence, and is a joyful reminder of our shared humanity.

Mozart’s The Marriage of Figaro sparkles with arias, duets and trios that have captivated audiences for centuries, including “Voi che sapete” and “Sull’aria.” Experience this grand and traditional production, set in 18th century Seville, with the dazzling sounds of the Portland Opera chorus and orchestra.

Scenery & properties provided by Arizona Opera.

Enchanted Woods: Shakespeare & Song

February 2, 3, 4m, 9, 10, 11m, 2024

The Gregory K and Mary Chomenko Hinckley Studio Theatre at the Hampton Opera Center, 211 SE Caruthers Street

Sung in English with English captions

The performance is approximately one hour and 40 minutes, performed with an intermission.

Composed by Various composers
Curator & Featured Artist Katrina Galka
Also featuring the Portland Opera Resident Artists
Director Kristine McIntyre
Musical Direction Nicholas Fox

Enter Shakespeare’s forest: a place of magic, love and transformation. Here, to honor Shakespeare’s first folio, we’ll be immersed in an evening of story and song inspired by 20th century adaptations of his enduring works. Through sweet melody and poignant poetry, we’ll celebrate the natural magic of the bard—to honor that which enchants us still, four hundred years later.

Join us in the forest for a picnic, and toast to the magic of Shakespeare! This immersive experience will include cabaret-style seating, libations, as well as savory and sweet treats. We’ll soak in beautiful melodic and tonal music including works by Benjamin Britten, Betsy Jackson King, and other celebrated composers, as we travel through A Midsummer Night’s Dream, As You Like It, The Tempest, and more.

Featuring voice, piano, and a woodwind quintet from the Portland Opera Orchestra

 

The Snowy Day

March 16, 22, 24m, 2024

7:30 PM | 2PM Family friendly matinee

Newmark Theatre, 1111 SW Broadway, Portland

Sung in English with English captions.

 The performance is approximately 1 hour and 5 minutes performed without an intermission

Composed by Joel Thompson
Libretto by Andrea Davis Pinkney, based on the book by Ezra Jack Keats
Peter Flora Hawk
Mama Lianna Wimberley Williams
Billy Adrian Rosales
Also featuring the Portland Opera Resident Artists
Conductor Damien Geter
Director Omer Ben Seadia
Scenic Designer Amy Rubin
Costume Designer Jessica Jahn

Smiling snowmen, snow angels, and warm bubble baths: experience the magic of Ezra Jack Keats’ beloved children’s book come to life on the opera stage. The Snowy Day follows the adventures of young Peter as he explores his neighborhood on a snowy day, making new friends and encountering unexpected wonders along the way.

With music by Joel Thompson and libretto by Andrea Davis Pinkney, the west coast premiere of this new opera is a celebration of imagination, nature, and friendship. The Snowy Day is a perfect introduction to opera for young people, and a joyful reminder for audiences of all ages about impermanence and the wonders of youth.

Commissioned by the Houston Grand Opera
Premiered by Houston Grand Opera in December 2021
Special thanks to the Ezra Jack Keats Foundation

 

Puccini: In Concert

May 11, 2024, 7:30PM

Keller Auditorium, 222 SW Clay Street, Portland

Sung in Italian with English captions.

The performance is approximately 90 minutes, performed without an intermission.

Conductor Damien Geter
Soloist Malcolm MacKenzie
Soloist Karen Vuong
Soloist Anthony Kalil
Also featuring the Portland Opera Resident Artists

 

One hundred years after his death in 1924, we celebrate a one-night-only concert

featuring Giacomo Puccini’s enduring compositions. Experience the drama and passion of these cultural touchstones and iconic music, brought to life by an exciting ensemble of featured guest artists.

The performance will feature selections from Tosca, Turandot, Madama Butterfly, La Bohème, and more! The Portland Opera Orchestra and Chorus will take center stage in this unforgettable celebration of one of the world’s most beloved composers.

 

Subscriptions for Portland Opera’s 23/24 season are available now; and single tickets will be on sale on August 8, 2023. For more information, and to purchase subscriptions, visit portlandopera.org, or call Patron Services at 503-241-1802.

Portland Opera is grateful for the ongoing philanthropic support from our individual patrons and generous donors, James F. and Marion L. Miller Foundation, National Endowment for the Arts, Oregon Arts Commission, Oregon Community Foundation, Regional Arts and Culture Council, including support from the City of Portland, Multnomah County, and the Arts Education & Access Fund, special support from The CARES Act Coronavirus Relief Fund, and The Shuttered Venue Operators Grant (SVOG) program,

Dates, programming, artists, and details for Portland Opera’s 23/24 season are subject to change.

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Portland Opera Announces 2022/23 Season

Portland Opera Announces 2022/23 Season

Portland, OR. Portland Opera’s 2022/23 season will feature the cultural touchstone Carmen. Maya Lahyani (seen above) will make her Portland Opera debut in the title role of Carmen. Also on the schedule, Thumbprint, a new opera inspired by the story of Mukhtar Mai, a trailblazing Pakistani human rights activist; the company’s first production of the iconic and magical Dvořák opera Rusalka; and an exciting one-night-only concert featuring celebrated opera composer and jazz great Terence Blanchard. The season will also include the world premiere of a youth opera inspired by the life and experiences of Beatrice Cannady Morrow for the regional Portland Opera to Go tour, and additional community and educational programming throughout the year.

“It brings us great joy to present the 22/23 season to the city of Portland!” shares Priti Gandhi, Artistic Director. “This year signifies so much for us as a community. As we begin to reconnect with our neighbors, with ourselves – we invite you to come back and reconnect with the power of live opera once again. This is a season that will fill your soul with the thrill of powerful new voices, compelling stories, and brilliant music-making. As we bring beloved classics – as well as debut operas – to our stages, we continue our journey in embracing the many ways this beautiful art form expresses itself.”

Kelly Kaduce, Rusalka, with the water nymphs (Act 3)rin the Minnesota Opera Production of RUSALK

LA Opera’s presentation of Thumbprint, a contemporary opera-theatre work by Kamala Sankaram explores the deep family ties and tribal traditions that empowered Mukhtar Mai to become the first female gang-rape victim in Pakistan to bring her attackers to justice. In lieu of a financial settlement, she requested that a school be constructed for educating girls to help prevent the humiliation of signing their name with only a thumbprint. (Photo Credit: Lawrence K. Ho)

Portrait of musician Terence Blanchard at his home in New Orleans, LA.

The season begins with one of opera’s most loved works—Georges Bizet’s masterpiece Carmen. This grand production, the directorial vision of legendary mezzo-soprano Denyce Graves, will take place at Keller Auditorium November 5, 11, 13m, 2022. Featuring recognizable and melodic gems like the Habanera and the Toreador Song, Bizet’s opera is a true classic. “Portland Opera is excited to present Carmen, an opera that for many people was their first opera, or is their favorite opera,” says Damien Geter, Portland Opera’s Interim Music Director and Artistic Advisor. “The opera abounds with familiar tunes that have crossed into the realm of pop culture. We are so fortunate to be able to bring this timeless classic to Portland under the vision of the one of the world’s most beloved Carmens: Denyce Graves.”

The 2022/23 season continues with Thumbprint, a piece by composer Kamala Sankaram and librettist Susan Yankowitz inspired by the story of Mukhtar Mai—a trailblazing Pakistani human rights activist who is a victim of sanctioned gang rape. “We want to tell human stories that can empower, and lift up women,” shares Sue Dixon, General Director. “Thumbprint does this beautifully when Mukhtar Mai chooses to advocate for her life over the tradition of suicide when dishonor comes to her Pakistani family. Her continued fight for justice for all women, serves as a beacon of hope for those who find themselves in impossible situations.” Portland Opera will present 4 performances of Thumbprint, March 18, 22, 24, 26m, 2023 at the Newmark Theatre.

In April 2023, Portland Opera will present Antonín Dvořák’s Rusalka for the first time in the company’s history. This piece, based on a centuries-old folktale with roots in Slavic mythology, tells the story of a water nymph who falls in love with a prince. “The world of magical creatures and mermaids exists just beyond our realm, waiting in long-ago memories,” shares Priti Gandhi, Artistic Director. “Dvořák’s lush and richly textured soundscape takes this world and transforms it into a musical experience that gently settles into your soul. When the water sprite Rusalka sings her famous “Song to the Moon”, yearning for her human lover, one feels the touch of magic and childhood again.” Portland Opera will present 3 performances of Rusalka April 22, 28, 30m, 2023 at Keller Auditorium.

On May 26, 2023, Portland Opera will welcome jazz great and celebrated opera composer Terence Blanchard to the company for the first time with a special one-night-only concert “Absence: Terence Blanchard featuring the E-Collective and Turtle Island Quartet.” This special event, conducted by Portland Opera’s Interim Music Director and Co-Artistic Advisor Damien Geter, will feature guest soloists soprano Karen Slack, Portland Opera’s co-artistic advisor, and Will Liverman, who was last seen with the company in La Bohème in 2017, as well as the talented musicians of the Portland Opera Orchestra. “What an honor to share the stage with my dear friend the extraordinary Grammy award-winning trumpeter and composer Terence Blanchard,” says Karen Slack. “A prolific artist and an American treasure! I am filled with both gratitude and excitement that Portland Opera is presenting him alongside the thrilling E-Collective band, Turtle Island Quartet and the magnificent baritone Will Liverman. This promises to be a night the city of Portland won’t forget!”

During the 2022/23 season, the company will also continue its commitment to education and community engagement, including Portland Opera to Go, a program that travels to schools and communities throughout the region with 50-minute operas. This fall, Portland Opera will share the world premiere of a new opera inspired by the life and history of Beatrice Morrow Cannady—a renowned civil rights advocate and the co-founder of the Portland, Oregon chapter of the NAACP. Created with composer Dave Ragland and librettist Marry McCallum, this new commission is designed for school and family audiences, with curriculum targeted for students in fourth through 9th grades. This production is set to tour schools and communities throughout the state and region. “We know that the community is still struggling with impacts from school closures during the pandemic,” explains Alexis Hamilton, Manager of Education and Community Engagement. “We are hoping to use our operatic superpowers to help our educational partners re-engage with arts learning and live events as we share Beatrice’s story while helping students to understand the future by engaging and empathizing with our past.”“The ability to realize our mission, vision, and values continues to grow in these moments when we share this beautiful art form together,” adds Sue Dixon, General Director, “and that happens not just on stage or in the recital hall, but in classrooms, in community gatherings, in our business practices, at every level.” Throughout the season, Portland Opera will produce a host of community engagement activities and professional development initiatives. Opera a la Cart, Portland Opera’s mobile performance venue that brings live opera performance directly into the community spaces where people gather will be found around town again in 2022, along with pop-up performances that have become part of Portland Opera’s community activities during pandemic closures. The company will welcome a new class of Portland Opera Resident Artists back to the revamped program for an 11-week intensive and will announce a new roster of artists in the coming weeks. In addition to the program for emerging artists, the company recently piloted a new program for BIPOC artists/administrators, named Portland Opera’s Ensemble Leaders Fellowship program. The 2022 Fellowship announcement is forthcoming, along with opportunities for local internships, community partners, and free public performances. To learn more about cultural equity, inclusion, diversity, or strategic planning progress, please visit portlandopera.org.

Here are more details about the season: 

Portland Opera 2022/23 Season Casting

Carmen – Georges BizetNovember 5, 11, 13m, 2022

 

Keller Auditorium, 222 SW Clay

Sung in French with English captions 

The performance is approximately 3 hours, performed with one intermission. 

In addition to the ticketed performances at Keller Auditorium, digital access will be available for a limited time on Portland Opera Onscreen.  

 

 

Composer

Georges Bizet

Librettists

Henri Meilhac & Ludovic Halévy

Carmen

Maya Lahyani

Don José

Matthew Pearce

Escamillo

Richard Ollarsaba

Micaëla

Ariana Wehr

Zuniga

Darren Drone

El Dancairo

Zachary Lenox

 

Conductor

Michael Ellis Ingram

Original Production & Staging

Denyce Graves

Associate Director and Choreographer 

Eric Sean Fogel

Scenery & Properties Designer 

Riccardo Hernandez

Costume Designer 

Oana Botez

Lighting Designers 

Robert Wierzel & Amith Chandrashaker

Set in early 1820s in Seville, Spain. Carmen is a factory worker, free spirit, and the toast of the town. She is brave, beautiful, and independent. She falls in and out of love like “a rebellious bird that no one can tame.” Then one day, in the busy streets outside of the bullfighting ring, her ex violently and tragically rejects her choice to move on.

Known for her legendary portrayal of the title role of Carmen, Denyce Graves makes her directorial debut with this production, which will first be staged by Minnesota Opera in May. Eric Sean Fogel makes his Portland Opera debut as Associate Director and Choreographer, along with conductor Michael Ellis Ingram, who leads the Portland Opera Orchestra and Chorus.

Mezzo-soprano Maya Lahyani, a regular on the Metropolitan Opera stage, makes her Portland Opera debut in the title role of Carmen, a role she has previously sung with San Francisco Opera, Arizona Opera, and Opera Maine. Matthew Pearce, currently a Cafritz Young Artist at Washington National Opera, makes his Portland Opera debut as Don José. The cast also features Richard Ollarsaba as Escamillo, Ariana Wehr as Micaëla, and Darren Drone as Zuniga, all in their company debuts, as well Zachary Lenox, last seen on the Portland Opera stage in the 2021 production of Tosca, as Sciarrone.

Thumbprint – Kamala SankaramMarch 18, 22, 24, 26m, 2023

Newmark Theatre, 1111 SW Broadway

Sung in English with English captions 

The performance is approximately ninety minutes, performed without an intermission.  

In addition to the ticketed performances at the Newmark Theatre, digital access will be available for a limited time on Portland Opera Onscreen 

 

Composed by

Kamala Sankaram

Libretto by

Susan Yankowitz

 

Mukhtar 

Maya Kherani

Mother/Minister/Reporter 

Indira Mahajan

Father/Judge/Reporter/Mastoi 

TBA

Faiz/Police/Reporter/Villager 

Alok Kumar

Shakur/Abdul/Imam/Reporter/Mastoi/Villager 

Omar Najmi

Annu/Young Girl/Reporter 

Samina Aslam

 

Conductor

Maria Badstue

Director

Omer Ben Seadia

Thumbprint is inspired by the story of Mukhtar Mai—a trailblazing Pakistani human rights activist who is a victim of sanctioned gang rape. She defied expectations to take her own life after the attack, deciding to live and seek justice. Her hope: open a village school for girls to learn to read and write, so that they may avoid the humiliation of signing their names with only a thumbprint.

          

This libretto originates from a series of interviews with Mai, paired with a score that is a dynamic collision of Hindustani and European opera influences. This piece features flute, violin, viola, upright bass, piano, and percussion.

Conductor Maria Badstue, recipient of a prestigious 2019-2021 Taki Alsop Conducting Fellowship, makes her Portland Opera debut conducting Thumbprint. Omer Ben Seadia, whose recent credits include productions at Houston Grand Opera, Canadian Opera Company, and Calgary Opera, makes her debut as stage director.

Soprano Maya Kherani, whose credits include roles with Glyndebourne, Opera San José, and a recent performance locally with the Portland Baroque Orchestra, makes her company debut in the role of Mukhtar Mai. Soprano Indira Mahajan, winner of the Kennedy Center’s Marian Anderson Vocal Award, makes her Portland Opera debut as Mukhtar’s Mother, the Minister, and Reporter. Tenor Alok Kumar, whose recent credits include roles at the Metropolitan Opera, Royal Opera House Covent Garden, and Los Angeles Opera, makes his debut as Faiz, Police Office, Reporter, and Villager. Also making their Portland Opera debuts, tenor Omar Najmi sings the roles of Shakur, Abdul, Imam, Reporter, Mastoi, and Villager, and soprano Samina Aslam sings the roles of Annu, Young Girl, and Reporter.

Originally commissioned by Beth Morrison Projects and the Here Center for the Prototype Festival, Thumbprint premiered in 2014 at the Baruch Performing Arts Center.

 

Mukhtar Mai is still striving for change, justice, and safety. Learn more about The Mukhtar Mai Women’s Organization and her activism at portlandopera.org 

 

 

Rusalka – Antonín DvořákApril 22, 28, 30M, 2023

Keller Auditorium, 222 SW Clay Street, Portland

Sung in Czech with English captions. 

The performance is approximately 3 hours, performed with two intermissions.  

 

In addition to the ticketed performances at Keller Auditorium, digital access will be available for a limited time on Portland Opera Onscreen  

Composed by

Antonín Dvořák

Libretto by

Jaroslav Kvapil based on the fairy tales of Karel Jaromír Erben and Božena  Němcová

 

Rusalka

Karen Vuong

The Prince

Limmie Pulliam

Vodnik “The Spirit of the Lake”

Andrew Potter

Ježibaba

Jill Grove

The Foreign Princess

Othalie Graham

 

Conductor

Elias Grandy

Director

Eric Simonson

Scenery and Properties Designer 

Erhard Rom

Costume Designer 

Kärin Kopischke

Projection Designer 

Wendall K. Harrington

Lighting design 

Robert Wierzel

 

In this centuries-old folktale with roots in Slavic mythology, a water nymph falls in love with a prince. With the help of the moon and a witch, she defies her father’s advice— giving up her home and voice to win the prince’s love on dry land. When it does not go to plan, the regretful prince seeks redemption, and heartbreak reigns in the land of true love.

Elias Grandy, General Music Director of the Opera and Philharmonic Orchestra Heidelberg makes his Portland Opera debut conducting Rusalka. Eric Simonson, writer and director for film, television, theatre, and opera, makes his company debut as stage director. Scenery and Properties are designed by Erhard Rom, costumes are designed by Kärin Kopischke, projections are designed by Wendall K. Harrington, and lighting is designed by Robert Wierzel.

Soprano Karen Vuong, whose recent credits include roles with Seattle Opera, Washington National Opera, and Tiroler Festspiele, makes her Portland Opera debut in the title role of Rusalka. Tenor Limmie Pulliam, whose recent credits include roles with the Los Angeles Opera, and Vashon Opera, makes his debut as the Prince. Mezzo-soprano Jill Grove makes her company debut as Ježibaba, a role she has sung with Lyric Opera of Chicago, Houston Grand Opera, as well as New Orleans Opera. Also making their Portland Opera debuts are bass Andrew Potter as Vodnik “The Spirit of the Lake,” and soprano Othalie Graham as the Foreign Princess.

Scenery, properties, projections, and costumes for this production were constructed by Minnesota Opera Shops and are owned by Minnesota Opera and Boston Lyric Opera.  

 

 

Absence: Terence Blanchard featuring the E-Collective and Turtle Island Quartet 

A One-night-only ConcertMay 26, 2023, 8:00PM

Keller Auditorium, 222 SW Clay Street, Portland

Sung in English with English captions. 

The performance is approximately 1 hour, 50 minutes. 

 

  

Conductor

Damien Geter

Soloist

Karen Slack

Soloist

Will Liverman

 

E-Collective 

Trumpet/Synths

Terence Blanchard

Guitar

Charles Altura

Piano/Keyboard/Synths

Taylor Eigsti

Electric Bass

David Ginyard, Jr.

Drums

Oscar Seaton

 

Turtle Island Quartet  

Violin

David Balakrishnan

Violin

Gabriel Terracciano

Viola

Benjamin von Gutzeit

Cello

Naseem Alatrash

 

In May 2023, Portland Opera will welcome two-time Oscar nominee, six-time Grammy-winner, and acclaimed opera composer (Fire Shut Up In My Bones and Champion) Terence Blanchard to the Keller Auditorium for an exciting one-night-only gala celebration.

This special event, conducted by interim music director and co-artistic advisor Damien Geter, will feature the E-Collective, Turtle Island Quartet, guest soloists soprano Karen Slack, Portland Opera’s co-artistic advisor, and Will Liverman, as well as the talented musicians of the Portland Opera Orchestra.

This performance is an optional addition to a season subscription. Single tickets are available from $35. A limited number of post-show celebration reception tickets are available for $250, in part as a tax-deductible contribution in support of Portland Opera’s bright future.

Subscriptions for Portland Opera’s 22/23 season are available now; and single tickets will be on sale on May 24. For more information, and to purchase subscriptions, visit portlandopera.org, or call Patron Services at 503-241-1802.

Portland Opera appreciates the ongoing support of our generous donors, The Collins Foundation, James F. and Marion L. Miller Foundation, National Endowment for the Arts, Oregon Arts Commission, Oregon Community Foundation, Regional Arts and Culture Council, including support from the City of Portland, Multnomah County, and the Arts Education & Access Fund, special support from The CARES Act Coronavirus Relief Fund, and The Shuttered Venue Operators Grant (SVOG) program. 

Dates, programming, artists, and details for Portland Opera’s 22/23 season are subject to change. Portland Opera is committed to the health and safety of our audiences, artists, and company members. The company is working with health authorities and medical advisors to continue to adhere with local, state, and federal guidelines. To create a safe and enjoyable experience for all, Portland Opera may implement staff and patron precautions, which may include face coverings, symptom screenings, temperature checks or other recommended safety measures.  

Portland Opera Announces Reimagined 2020/21 Season

Portland Opera Announces Reimagined 2020/21 Season

Portland, OR. Portland Opera announced its plans for the remainder of the 2020/21 season. The Opera’s pivot will feature a series of virtual recitals from the company’s artistic home in Southeast Portland, an outdoor opera experience, and productions broadcast via the company’s new digital channel, Portland Opera Onscreen. Robert Xavier Rodríguez’s opera Frida will be the first broadcast in March of 2021. The Onscreen production of Verdi’s Il Trovatore (seen above) will follow. It will be a semi-staged concert, focusing on the music, performed in a landscape of video projections. Il Trovatore has been dubbed, “a tour de force” and tells the story of a mother, burned at the stake as a witch.

The plan for these digital performances is to have a suggested access fee of $50 and patrons will have digital access for 45 days.

“The global pandemic has challenged us: to be problem-solvers, to adapt to new technologies, and to deepen the ways that serve the community,” says General Director Sue Dixon. “Our newly reimagined 20/21 season celebrates the resiliency of the creative spirit with live music and local collaborations—while prioritizing health and wellness for our audiences, artists, and company.” 

Here are some of the opera’s options:

20/21 Resident Artist Series
January – February, 2021 | Select Thursdays at 7 PM
Streaming online for free; this recital series features Resident Artists sharing solo pieces, duets, and ensemble works

FRIDA (onscreen)/Robert Xavier Rodríguez
Digital access will be available for 45 days, starting on March 20, 2021 on the digital channel, PortlandOpera Onscreen.

Photos courtesy of Long Beach Opera, by Keith Polakoff.

Photos courtesy of Long Beach Opera, by Keith Polakoff.

JOURNEYS TO JUSTICE/Curated by Artistic Advisor Damien Geter
Digital access will be available for 45 days, starting on April 16, 2021 on the digital channel, Portland Opera Onscreen. These compositions are about love, justice, and experiences of being a Black American.

From Portland Opera:

Multnomah County, where Portland Opera is headquartered, entered Phase I reopening from the COVID-19 pandemic on June 19th, and remains in Phase I—along with neighboring Washington and Clackamas counties—until public health indicators permit progression to Phase II. Public performances with audiences are permitted only in the final phases of the state’s reopening plan.  As part of the company’s commitment to the health and wellbeing of the staff, artists, ensemble, and audience members, Portland Opera has engaged a team of medical advisors to review all safety procedures and protocols, ensuring the company is in line with the best and current medical advice on an ongoing basis. To learn more about Portland Opera’s comprehensive response to the global pandemic, visit portlandopera.org. 

Currently being developed in tandem with a new website and ticketing platform, the Portland Opera Onscreen channel will launch in February 2021. Until that time, digital content and performances will be available on PortlandOpera’s Vimeo and YouTube channels. The company plans to sustain the digital channel for future seasons as an option for patrons, and is developing these new digital offerings based on patron feedback from recent surveys, strategic planning input, and Town Hall meetings. Tickets for special outdoor performances, as well as digital passes for these productions, will be available beginning in February of 2021. 

The company continues with plans to offer an adjusted Portland Opera To Go program, which is Portland Opera’s statewide, school-based arts education tour for K-12 students. Due to the pandemic, this program is shifting to connect with regional schools in a new digital format, starting in January 2021. The company is following state health guidelines and school district mandates in carrying out this program. Opera staff members are working with educators to adjust the program to meet unique digital needs, and to develop supportive relationships during these challenging times.

As a result of this reimagined season, three originally announced productions of Puccini’s Tosca, the Big Night concert, and a double bill of Frid’s The Diary of Anne Frank and Heggie’s For a Look or A Touch will no longer be programmed this season. A message announced this news to 2020/21 season subscribers and members yesterday. Ticket holders are encouraged to email [email protected] in order to share their preferences for refunds and donated tickets, and opera staff members will be reaching out to everyone in the next couple of weeks. Portland Opera continues to work with artists, musicians, and creative teams to navigate these changes and develop the 21-22 season—which will be announced in early 2021.  

Portland Opera Will Present a Free Virtual Concert

Portland Opera Will Present a Free Virtual Concert

Portland, OR. Portland Opera has postponed operas like Tosca, (seen above) but it it will present An Evening with Portland Opera: A Free & Virtual Concert from Rose City. The online benefit concert will take place on Saturday, October 17th, at 7:30 PM, and will be available for free on Portland Opera’s Vimeo and YouTube channels. Hosted by General Director Sue Dixon, conducted by Music Director George Manahan, and directed by Kristine McIntyre, An Evening with Portland Opera will feature guest artists whose performances were canceled or postponed due to the pandemic, joined by the 2019/20 Resident Artists, the Portland Opera Orchestra, and Portland Opera Chorus, under the direction of Chorus Master & Assistant Conductor Nicholas Fox. Donations accepted before and during the event will directly support Portland Opera. This hour-long performance, which was recorded and produced safely, will only be available to view for 30 days.

“Although we cannot gather in person, we are delighted to join together to share in an evening of beautiful music,” says General Director Sue Dixon. “We are not alone in facing the very real challenges of this time. The decision to program this concert allows us to celebrate the talent and artistry of the musicians we were going to hear and love this year, be inspired by the vitality of our artform, and connect with the community that is the reason we do the work we do. We hope you will tune in and that we can all find joy and comfort in experiencing music together.”

Guest artists for this special evening will include sopranos Vanessa Isiguen, Alexandra LoBianco, and Caitlin Lynch; mezzo-soprano and former Portland Opera Resident Artist Daryl Freedman; baritones Michael Chioldi, Gordon Hawkins, and Will Liverman; and bass-baritone Daniel Mobbs. They will be joined by Portland Opera’s 2019/20 Resident Artists: soprano Emilie Faiella, mezzo-soprano Camille Sherman, tenor Ricardo Garcia, and baritone Geoffrey Schellenberg. Pianists for the performance include Portland Opera Chorus Master & Assistant Conductor Nicholas Fox, Cris Frisco, Steven McGhee, Joshua Quinn, and Carol Wong.

This benefit concert was made possible by ongoing support from The CARES Act Coronavirus Relief Fund, National Endowment for the Arts, James F. and Marion L. Miller Foundation, Oregon Arts Commission, and the Regional Arts and Culture Council. Portland Opera is a member of OPERA America. 

Artist Biographies:

Soprano Vanessa Isiguen made her Portland Opera debut in 2017, joining the company for the Big Night concert, and singing the role of Mimì in Puccini’s La Bohème. Since then, she has joined the company each year for the annual Big Night concert. This year, she was scheduled to sing the role of Nedda in Leoncavallo’s Pagliacci, prior to its cancellation due to COVID-19. Additional recent credits include the title role in Puccini’s Madama Butterfly with Palm Beach Opera and Opera Idaho, the role of Roberta Alden in Tobias Picker’s An American Tragedy with Glimmerglass Opera, and numerous roles with Opera Tampa. Full bio information can be found here.

Soprano Alexandra LoBianco is scheduled to make her Portland Opera debut in the title role of Tosca, a role she has previously sung at North Carolina Opera and Minnesota Opera. She made her Metropolitan Opera debut in 2019 as Marianne Leitmetzerin in Strauss’s Der Rosenkavalier. Her credits also include the roles of Leonore in Beethoven’s Fidelio and Helmwige in Wagner’s Die Walküre at the Wiener Staatsoper; Amelia in Verdi’s Un Ballo in Maschera at Florida Grand Opera, and Donna Anna in Mozart’s Don Giovanni at Seattle Opera. Full bio information can be found here.

Soprano Caitlin Lynch was scheduled to make her Portland Opera debut this summer as Bea in Jake Heggie’s Three Decembers, prior to its cancellation due to the pandemic. She made her Metropolitan Opera debut as Biancofiore in Zandonai’s Francesca da Rimini in 2013 and has since sung the roles of Cynthia in Nico Muhly’s Two Boys, Pamina in Mozart’s The Magic Flute, and the Countess in Mozart’s The Marriage of Figaro there. Additional credits include roles with Palm Beach Opera, English National Opera, Seattle Opera, Utah Opera, and the Seattle Symphony. Additional bio information can be found here.

Mezzo-soprano Daryl Freedman made her Portland Opera debut as a Resident Artist as Aglaonice in Philip Glass’s Orphée, and went on to sing numerous roles with the company including Venere in Monteverdi’s Il Ballo delle Ingrate, Dinah in Bernstein’s Trouble in Tahiti, Sandman in Humperdinck’s Hansel and Gretel, Concepción in Ravel’s L’Heure espagnole, and multiple roles in Ravel’s L’Enfant et les sortilèges. She is scheduled to sing the role of Azucena in Verdi’s Il Trovatore in the 20/21 season. She made her Metropolitan Opera debut as Schwertleite in Die Walküre in 2019 and is a graduate of Washington National Opera’s Cafritz Young Artist program. Additional bio information can be found here.

Baritone Michael Chioldi was scheduled to make his Portland Opera debut as Tonio in Pagliacci in June 2020, prior to its cancellation due to the coronavirus. He has performed at nearly every major American opera house, including The Metropolitan Opera, San Francisco Opera, Houston Grand Opera, Washington National Opera and Los Angeles Opera. Recent credits include the role of Giorgio Germont in Verdi’s La Traviata with Utah Opera, Washington National Opera, and Austin Opera; the title role in Verdi’s Rigoletto at Austin Opera, and Gerard in Giordano’s Andrea Chénier at the Gran Teatre del Liceu in Barcelona. Additional bio information can be found here.

Baritone Gordon Hawkins is scheduled to make his Portland Opera debut as Scarpia in Puccini’s Tosca. He has previously sung this role with Cincinnati Opera, Lyric Opera of Kansas City, Vancouver Opera, and Arizona Opera. He has sung numerous roles with The Metropolitan Opera, including Thoas in Gluck’s Iphigénie en Tauride, Donald in Britten’s Billy Budd, Marcello in La Bohème, and Jake in Gershwin’s Porgy and Bess. Additional credits include performances with San Francisco Opera, Los Angeles Opera, Seattle Opera, Washington National Opera, Deutsche Oper Berlin, and the BBC Orchestra at Royal Albert Hall. Additional bio information can be found here.

Baritone Will Liverman made his Portland Opera debut in 2017 with the company’s Big Night concert and the role of Marcello in Puccini’s La Bohème. He was scheduled to return to the company in the role of Silvio in Pagliacci, prior to its cancellation this June. Liverman’s recent engagements include starring as Papageno in The Metropolitan Opera’s production of The Magic Flute, in addition to singing the role of Horemhab in the Met’s premiere of Philip Glass’s Akhnaten and appearing as Malcolm Fleet in Nico Muhly’s Marnie. He also recently appeared as Pantalone in The Love of Three Oranges at Opera Philadelphia, as Silvio in Pagliacci at Opera Colorado, and as Schaunard in La Bohème with Santa Fe Opera, Dallas Opera and Opera Philadelphia. Additional bio information can be found here.

Bass-baritone Daniel Mobbs made his Portland Opera debut in 2004 as Lord Sidney in Rossini’s The Journey to Reims, and subsequent roles with the company have included the title role in Mozart’s The Marriage of Figaro, Don Alfonso in Mozart’s Così fan tutte, and most recently, Baron Douphol in Verdi’s La Traviata. He was scheduled to return to the company in the title role of Bajazet prior to its cancellation. In previous seasons, Mobbs has performed with numerous American companies, including The Metropolitan Opera, Opera Philadelphia, Los Angeles Opera, and Lyric Opera of Chicago. Additional bio information can be found here.

Soprano Emilie Faiella made her Portland Opera debut as a 2019/20 Resident Artist in An American Quartet: Four One-act Operas, singing the roles of Lucy in Menotti’s The Telephone, Geraldine in Barber’s A Hand of Bridge, and Lola in Moore’s Gallantry. Prior to joining the Resident Artist program, Faiella performed the role of Yniold in Debussy’s Pelléas et Mélisande at Boston University’s Opera Institute. She was a 2016 participant in Houston Grand Opera’s Young Artists Vocal Academy, and in 2017, she was a Young Artist at SongFest, an art song festival and training program.

Mezzo-soprano Camille Sherman completed her second year of Portland Opera’s Resident Artist program during the 19/20 season. She made her Portland Opera debut as Flora in La Traviata and has since sung the roles of Ramiro in Mozart’s La Finta Giardiniera, Kate Pinkerton in Puccini’s Madama Butterfly and two roles in An American Quartet: Four One-act Operas –the Announcer in Gallantry and Sally in A Hand of Bridge. She was scheduled to sing the role of Asteria in Bajazet this spring, prior to its cancellation. Last year, Sherman was a semi-finalist in The Metropolitan Opera National Council Auditions, after winning the Northwest Regional Competition. Additional bio information can be found here.

Tenor Ricardo Garcia made his Portland Opera debut as a Resident Artist in An American Quartet: Four One-act Operas, singing the roles of Bill in Barber’s A Hand of Bridge, and Donald Hopewell in Gallantry. He was scheduled to sing the role of Beppe in Leoncavallo’s Pagliacci, prior to its cancellation. Before joining Portland Opera’s Resident Artist program, Garcia was a 2019 Apprentice Singer at the Santa Fe Opera, and a member of the young artist program at Wolf Trap Opera in 2017. He has recently sung the roles of the Drunkard/Lamplighter in Portman’s The Little Prince at Tulsa Opera, as well as the role of Bajazet in Handel’s Tamerlano at the San Francisco Conservatory of Music. Garcia recently joined the Houston Grand Opera Studio Artists Program. Additional bio information can be found here.

Baritone Geoffrey Schellenberg made his Portland Opera debut as the Marquis in Verdi’s La Traviata.  As a Resident Artist, he sang the roles of Fiorello in Rossini’s The Barber of Seville, Nardo in Mozart’s La Finta Giardiniera, was a soloist in the 2019 Big Night concert, and sang multiple roles in An American Quartet – Ben in The Telephone, David in Barber’s A Hand of Bridge, and Doctor Gregg in Gallantry.  Last season, he also sang the role of Schaunard in La Bohème with Vancouver Opera. Schellenberg was scheduled to sing the role of Charlie in the Portland Opera premiere of Jake Heggie’s Three Decembers, which was cancelled due to the pandemic. This fall, he joins Opéra de Montréal’s Atelier Lyrique for the 2020/21 season. Additional bio information can be found here.

From Portland Opera:

Portland Opera exists to inspire, challenge, and uplift our audiences by creating productions of high artistic quality that celebrate the beauty and breadth of opera.

Since 1964, Portland Opera has contributed to the cultural, artistic, and economic landscape of the city and region that we love. We celebrate the beauty and breadth of the opera repertoire with performances that take place in the Keller Auditorium, Newmark Theatre, and the Gregory K. and Mary Chomenko Hinckley Studio Theatre at the Hampton Opera Center. The company is also a committed educational partner, touring fully staged operas to schools and community centers throughout Oregon and SW Washington region each year, in addition to a host of other efforts designed to make opera accessible for all.

Portland Opera Announces Postponement of First Two Operas in the 2020/21 Season

Portland Opera Announces Postponement of First Two Operas in the 2020/21 Season

Portland, OR. Portland Opera announced that the first two operas of the 2020/21 season, Robert Xavier Rodríguezs Frida and Puccini’s Tosca, will be postponed. In a news release on May 15th, Portland Opera stated the following: In accordance with guidance from the office of Governor Kate Brown prohibiting large gatherings through September, and with the health and safety of our patrons and staff in mind, Portland Opera will reschedule these performances to take place in 2021. Dates will be announced at a future time. This postponement will include all main stage opera performances, as well as related events, and public programming.

“The health and well-being of our audience, staff, and community during this crisis remain our number one priority,” says General Director Sue Dixon. “We look forward to the day we can share Frida and Tosca with the Portland community, and in the meantime, we continue to strengthen our commitment to come out on the other side of this as a stronger organization.”

A scene from Portland Opera’s 2019 production of Rossini’s The Barber of Seville. Photo by Cory Weaver/Portland Opera.

Current subscribers and members can contact our Patron Services team with any questions. They can be reached Monday – Friday, from 10 AM – 5 PM at 503-241-1802. Additional details can be found online by visiting PortlandOpera.org.

About Portland Opera:

Portland Opera exists to inspire, challenge, and uplift our audiences by creating productions of high artistic quality that celebrate the beauty and breadth of opera.

Since 1964, Portland Opera has contributed to the cultural, artistic, and economic landscape of the city and region that we love. We celebrate the beauty and breadth of the opera repertoire with performances that take place in the Keller Auditorium, Newmark Theatre, and the Gregory K. and Mary Chomenko Hinckley Studio Theatre at the Hampton Opera Center. The company is also a committed educational partner, touring fully staged operas to schools and community centers throughout Oregon and SW Washington region each year, in addition to a host of other efforts designed to make opera accessible for all.